Middle Ages

Posted in Antiquities, J. Paul Getty Museum, Manuscripts and Books

A Hero’s Journey and the Dance of Dragons

Alexander the Great Under Water
Alexander the Great Under Water (detail), about 1400–10, unknown artist, in the World Chronicle. The J. Paul Getty Museum, Ms. 33, fol. 220v

Over-the-top tales of Alexander the Great from the pages of medieval manuscripts. More»

Also tagged , , , Leave a comment
Posted in J. Paul Getty Museum, Manuscripts and Books

Deathly Meditations in Medieval Manuscripts

The Martyrdom of Saint Sebastian, Master of Sir John Fastolf, about 1430-40. The J. Paul Getty Museum, Ms. 5, fol. 36v
The Martyrdom of Saint Sebastian, Master of Sir John Fastolf, about 1430-40. The J. Paul Getty Museum, Ms. 5, fol. 36v

Death is coming. Prepare with these images from illuminated manuscripts. More»

Also tagged , , , , Leave a comment
Posted in Art, Manuscripts and Books

Beautiful Medieval Circles for Ultimate Pi Day

Astrological Chart, about 1405, Virgil Master. J. Paul Getty Museum.
Astrological Chart, about 1405, Virgil Master. J. Paul Getty Museum.

A few of our favorite medieval circles. More»

Also tagged , , , Leave a comment
Posted in Art, Manuscripts and Books

Medieval Meditations on the Human Condition

Initial K: Caritas from Gradual, Master of the Cypresses (Pedro de Toledo?), about 1430-1440. The J. Paul Getty Museum, Ms. 15, verso
Initial K: Caritas from Gradual, Master of the Cypresses (Pedro de Toledo?), about 1430-1440. The J. Paul Getty Museum, Ms. 15, verso

In honor of Day With(out) Art, a selection of images that make us more human. More»

Also tagged , , , , Leave a comment
Posted in J. Paul Getty Museum, Manuscripts and Books

The Ghost That Wasn’t There

A Monk and Guy’s Widow Conversing with the Soul of Guy de Thurno (detail) in The Vision of the Soul of Guy de Thurno, Simon Marmion, 1475. The J. Paul Getty Museum, Ms. 31, fol. 7
A Monk and Guy’s Widow Conversing with the Soul of Guy de Thurno (detail) in The Vision of the Soul of Guy de Thurno, Simon Marmion, 1475. The J. Paul Getty Museum, Ms. 31, fol. 7

What does an invisible ghost look like? Um, well, like this. More»

Also tagged , , , Leave a comment
Posted in J. Paul Getty Museum, Manuscripts and Books

Delightfully Horrifying Manuscript Illuminations

Halloween5

Selections from the collection for Halloween. More»

Also tagged , , , , Leave a comment
Posted in J. Paul Getty Museum, Manuscripts and Books, Photographs, Film, and Video

See Authentic Medieval Hand-to-Hand Combat in New Video

Details of two men fighting with swords in the medieval manuscript Flower of Battle
Combat with Sword (detail) in Fiore Furlan dei Liberi da Premariacco, The Flower of Battle, The J. Paul Getty Museum, Ms. Ludwig XV 13, fol. 20v

A new video brings 15th-century fighting moves to life. More»

Also tagged , , , , 1 Response
Posted in Art, Manuscripts and Books

The Art of Seduction

A Lover Entering the Bedroom of His Beloved in Romance of the Rose, about 1405, unknown illuminator, made in Paris. Tempera colors, gold leaf, and ink on parchment bound between pasteboard covered with dark red morocco, 14 7/16 x 10 1/4 in. The J. Paul Getty Museum, Ms. Ludwig XV 7, fol. 62v
A Lover Entering the Bedroom of His Beloved in Romance of the Rose, about 1405, unknown illuminator, made in Paris. Tempera colors, gold leaf, and ink on parchment bound between pasteboard covered with dark red morocco, 14 7/16 x 10 1/4 in. The J. Paul Getty Museum, Ms. Ludwig XV 7, fol. 62v

Is this medieval book a warning lesson, or a shocking incitement to sin? More»

Also tagged , , , , , Leave a comment
Posted in Art, J. Paul Getty Museum, Manuscripts and Books, Research

Revisiting a Florentine Master

Left: A Bust of a Pope-Saint, about 1310-1315, Pacino di Bonaguida.  Pot-metal and clear glass, black and brown vitreous paint, 35 13/16 x 26 3/8 in. Museo dell’Opera di Santa Croce, Fondo Edifici di Culto, Ministero dell’Interno, Florence. Center: Saint Francis in Antiphonary, about 1320, Pacino di Bonaguida.  Tempera colors and gold leaf on parchment, 20 ½ x 13 15/16in.  Archivio di Santa Croce, Florence, Corale Q, fol. 121v (Photo: Bryan C. Keene). Right: Chiarito Tabernacle (detail), 1340s, Pacino di Bonaguida. Gilded gesso and tempera on panel, 39 7/8 x 44 11/16 in. The J. Paul Getty Museum, 85.PB.311
Left: A Bust of a Pope-Saint, about 1310-1315, Pacino di Bonaguida. Pot-metal and clear glass, black and brown vitreous paint, 35 13/16 x 26 3/8 in. Museo dell’Opera di Santa Croce, Fondo Edifici di Culto, Ministero dell’Interno, Florence. Center: Saint Francis in Antiphonary, about 1320, Pacino di Bonaguida. Tempera colors and gold leaf on parchment, 20 ½ x 13 15/16in. Archivio di Santa Croce, Florence, Corale Q, fol. 121v (Photo: Bryan C. Keene). Right: Chiarito Tabernacle (detail), 1340s, Pacino di Bonaguida. Gilded gesso and tempera on panel, 39 7/8 x 44 11/16 in. The J. Paul Getty Museum, 85.PB.311

New research on Pacino di Bonaguida, a central figure in the rise of the Renaissance in Florence. More»

Also tagged , , , , , , Leave a comment
Posted in Exhibitions and Installations, J. Paul Getty Museum, Manuscripts and Books

“The Chivalry Project” Remakes Chivalry for the 21st Century

The Chivalry Project

Contribute to a collective digital rulebook, now through November 30. More»

Also tagged , , , , , , 1 Response
  • Facebook

  • Twitter

  • Tumblr

    • photo from Tumblr

      Princess Leia hair is so totally 300 A.D.

      A proto-Princess Leia emerges from this 1,700-year-old terracotta lamp created in North Africa. 

      We may have Roman North Africa to thank for the famous Leia hairstyle, as this braided look appears on depictions of women in ancient artworks from this region, such as the terracotta lamp (left) at the Getty and the marble sculpture (right) at the Met.

      09/04/15

  • Flickr