Middle Ages

Posted in J. Paul Getty Museum, Manuscripts and Books

The Ghost That Wasn’t There

A Monk and Guy’s Widow Conversing with the Soul of Guy de Thurno (detail) in The Vision of the Soul of Guy de Thurno, Simon Marmion, 1475. The J. Paul Getty Museum, Ms. 31, fol. 7
A Monk and Guy’s Widow Conversing with the Soul of Guy de Thurno (detail) in The Vision of the Soul of Guy de Thurno, Simon Marmion, 1475. The J. Paul Getty Museum, Ms. 31, fol. 7

What does an invisible ghost look like? Um, well, like this. More»

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Posted in J. Paul Getty Museum, Manuscripts and Books

Delightfully Horrifying Manuscript Illuminations

Halloween5

Selections from the collection for Halloween. More»

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Posted in J. Paul Getty Museum, Manuscripts and Books, Photographs, Film, and Video

See Authentic Medieval Hand-to-Hand Combat in New Video

Details of two men fighting with swords in the medieval manuscript Flower of Battle
Combat with Sword (detail) in Fiore Furlan dei Liberi da Premariacco, The Flower of Battle, The J. Paul Getty Museum, Ms. Ludwig XV 13, fol. 20v

A new video brings 15th-century fighting moves to life. More»

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Posted in Art, Manuscripts and Books

The Art of Seduction

A Lover Entering the Bedroom of His Beloved in Romance of the Rose, about 1405, unknown illuminator, made in Paris. Tempera colors, gold leaf, and ink on parchment bound between pasteboard covered with dark red morocco, 14 7/16 x 10 1/4 in. The J. Paul Getty Museum, Ms. Ludwig XV 7, fol. 62v
A Lover Entering the Bedroom of His Beloved in Romance of the Rose, about 1405, unknown illuminator, made in Paris. Tempera colors, gold leaf, and ink on parchment bound between pasteboard covered with dark red morocco, 14 7/16 x 10 1/4 in. The J. Paul Getty Museum, Ms. Ludwig XV 7, fol. 62v

Is this medieval book a warning lesson, or a shocking incitement to sin? More»

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Posted in Art, J. Paul Getty Museum, Manuscripts and Books, Research

Revisiting a Florentine Master

Left: A Bust of a Pope-Saint, about 1310-1315, Pacino di Bonaguida.  Pot-metal and clear glass, black and brown vitreous paint, 35 13/16 x 26 3/8 in. Museo dell’Opera di Santa Croce, Fondo Edifici di Culto, Ministero dell’Interno, Florence. Center: Saint Francis in Antiphonary, about 1320, Pacino di Bonaguida.  Tempera colors and gold leaf on parchment, 20 ½ x 13 15/16in.  Archivio di Santa Croce, Florence, Corale Q, fol. 121v (Photo: Bryan C. Keene). Right: Chiarito Tabernacle (detail), 1340s, Pacino di Bonaguida. Gilded gesso and tempera on panel, 39 7/8 x 44 11/16 in. The J. Paul Getty Museum, 85.PB.311
Left: A Bust of a Pope-Saint, about 1310-1315, Pacino di Bonaguida. Pot-metal and clear glass, black and brown vitreous paint, 35 13/16 x 26 3/8 in. Museo dell’Opera di Santa Croce, Fondo Edifici di Culto, Ministero dell’Interno, Florence. Center: Saint Francis in Antiphonary, about 1320, Pacino di Bonaguida. Tempera colors and gold leaf on parchment, 20 ½ x 13 15/16in. Archivio di Santa Croce, Florence, Corale Q, fol. 121v (Photo: Bryan C. Keene). Right: Chiarito Tabernacle (detail), 1340s, Pacino di Bonaguida. Gilded gesso and tempera on panel, 39 7/8 x 44 11/16 in. The J. Paul Getty Museum, 85.PB.311

New research on Pacino di Bonaguida, a central figure in the rise of the Renaissance in Florence. More»

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Posted in Exhibitions and Installations, J. Paul Getty Museum, Manuscripts and Books

“The Chivalry Project” Remakes Chivalry for the 21st Century

The Chivalry Project

Contribute to a collective digital rulebook, now through November 30. More»

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Posted in Art, Manuscripts and Books

A Medievalist’s Viewing Guide to “Game of Thrones,” Season 4

Chess Problem (detail) from Book of Chess Problems, late 14th century.  Tempera colors and gold leaf on parchment, 9 ¾ x 6 5/8 in. (24.8 x 16.8 cm). Ms. Ludwig XV 15, fol. 97
Chess Problem (detail) from Book of Chess Problems, late 14th century. Tempera colors and gold leaf on parchment, 9 ¾ x 6 5/8 in. (24.8 x 16.8 cm). Ms. Ludwig XV 15, fol. 97

What a season it was. Let’s watch it again, manuscripts in hand. More»

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Posted in Art, J. Paul Getty Museum, Manuscripts and Books

Medieval Manuscripts Alive

Medieval Manuscripts Alive - languages

Hear medieval manuscripts read aloud. First up: Ge’ez, the language of the Ethiopian church. More»

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Posted in Art, J. Paul Getty Museum, Manuscripts and Books

The Middle Ages and Modern Abstraction

The Virgin and Child with the Archangels Michael and Gabriel from Gospel Book, about 1504 - 1505. 13 9/16 x 10 ¼ in. (34.5 x 26.5 cm). MS. 102, FOL. 19V
The Virgin and Child with the Archangels Michael and Gabriel from Gospel Book, about 1504 - 1505. 13 9/16 x 10 ¼ in. (34.5 x 26.5 cm). MS. 102, FOL. 19V

Abstraction was no modern innovation—it’s been an integral part of art across the centuries. More»

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Posted in J. Paul Getty Museum, Manuscripts and Books

Reading the Future of “Game of Thrones” through Medieval Manuscripts

Job Pointing to a Corpse on the Ground in a Book of Hours, about 1410, Follower of the Egerton Master. Tempera colors, gold leaf, gold paint, and ink on parchment, 7 ½ x 5 ½ in. (19.1 x 14 cm). The J. Paul Getty Museum, Ms. Ludwig IX 5, fol. 147

Do these manuscripts contain the secrets to the “Game of Thrones” season finale? More»

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