outdoor sculpture

Posted in Behind the Scenes, Gardens and Architecture, Photographs, Film, and Video, Voices

Getty Voices: Getty Gone Wild

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Photographic encounters with deer, birds, butterflies, and other wildlife of the Getty.
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Posted in Art, Behind the Scenes, Conservation, Sculpture and Decorative Arts

Waxing and Waning of Summer in Decorative Arts & Sculpture Conservation

Applying a protective wax coating to Jack Zajac's Big Skull and Horn in Two Parts II

Every Monday—when the Museum is closed to visitors and Getty staff soldier on despite the closure of the coffee carts—the Getty’s outdoor sculptures get washed and rinsed of the week’s helping of dirt, pollution, bird guano, and spider webs. This… More»

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Posted in Behind the Scenes, Conservation, J. Paul Getty Museum, Sculpture and Decorative Arts

Conservation Comes Outdoors for Henry Moore’s “Bronze Form”

What's behind that tent? Henry Moore's Bronze Form is being conserved in situ at the Getty Center

What’s inside this tent? Henry Moore’s monumental sculpture Bronze Form 5/6—normally the first artwork visitors see when arriving at the Getty Center—is undergoing a conservation treatment behind a rather mysterious-looking safety screen. My colleagues and I will be working on… More»

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Posted in Education, Getty Center, J. Paul Getty Museum

Experience Art Off the Beaten Path with New Summer Tours

Ann Erwin and Laura Lewis present a musical exploration of modern sculpture in the Museum Entrance Hall

See the Museum’s collection from an insider’s point of view with three new tours at the Getty Center offered just for summer. Why special tours for summer? We have more visitors in July and August—and we find that you’re often… More»

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Posted in Behind the Scenes, Getty Center, J. Paul Getty Museum, Sculpture and Decorative Arts

The Making of Charles Ray’s “Boy with Frog”

Boy with Frog (detail), Charles Ray (American, born 1953), 2009. Painted fiberglass, 96 1/16 x 29 1/2 x 41 5/16 in. Courtesy the artist and Matthew Marks Gallery

Peering up at a giant sculpture, I often wonder: How do artists construct such massive creations? Here’s a peek at the journey, from artist’s conception to the Getty Center’s doorstep, of the larger-than-life Boy with Frog, which was installed yesterday… More»

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      “To be a painter, one must work with rays of light.” —Edvard Munch

      Starry Night, 1893, Edvard Munch. The J. Paul Getty Museum

      10/22/14

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