Renaissance

Posted in J. Paul Getty Museum, Manuscripts and Books

The Rise and Fall of a Court Artist in Renaissance Italy

Initial A: Young Christ Blessing (detail) from Antiphonal P of San Giorgio Maggiore, Belbello da Pavia, about 1467-1470. The J. Paul Getty Museum, Ms. 96, verso
Initial A: Young Christ Blessing (detail) from Antiphonal P of San Giorgio Maggiore, Belbello da Pavia, about 1467-1470. The J. Paul Getty Museum, Ms. 96, verso

The unusual life tale of Renaissance illuminator Belbello da Pavia More»

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Posted in Behind the Scenes, Getty360, J. Paul Getty Museum

How to Eat Like a Renaissance Courtier

Armorial Dish with the Flaying of Marsyas
This istoriato plate bears the coat of arms of the Brescian Calini family and presents the myth of a musical contest between Apollo and the satyr Marsyas. Armorial Dish with the Flaying of Marsyas, mid-1520s, Nicola da Urbino. Tin-glazed earthenware, 2 1/4 x 16 5/16 in. The J. Paul Getty Museum, 84.DE.117

What did the Renaissance Italians really eat? More»

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Posted in Behind the Scenes, J. Paul Getty Museum, Manuscripts and Books

A Manuscript Collector’s Perspective

What draws an art collector to focus on Renaissance manuscripts? More»

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Posted in Art, Manuscripts and Books

Botanical Art Inspired by Renaissance Illuminations

Hoefnagel-Inspired illumination showing a fly and a fuchsia
Hoefnagel-Inspired #4 2014, Denise Walser-Kolar. Watercolor and gouache on calfskin vellum, 4 x 6 in. Courtesy of and © Denise Walser-Kolar

Botanical illuminations inspired by a rare Renaissance book. More»

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Posted in Getty Foundation, Paintings, Research

New E-Book Explores Early Netherlandish Art

Screen capture showing The Legend of St. Joseph / follower of Robert Campin
Detail of The Legend of St. Joseph, possibly ca. 1490–1500, follower of Robert Campin. Hoogstraten, Church of St. Catherine. From Frames and Supports in 15th- and 16th-Century Southern Netherlandish Painting

New online resource explores panel paintings of the 1400s and 1500s More»

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Posted in Art, Getty360, J. Paul Getty Museum, Manuscripts and Books

Drink Like a Renaissance Prince

Left: Initial S: The Conversion of Saint Paul, attributed to Pisanello and the Master of the Antiphonal Q of San Giorgio Maggiore, probably northern Italy, about 1440-1450. The J. Paul Getty Museum, Ms. 41, verso. Right: The Italian wine region Colli Piacentini in the Emilia-Romagna province. Photo: Francesco Secchi (Wikimedia Commons)
Left: Initial S: The Conversion of Saint Paul, attributed to Pisanello and the Master of the Antiphonal Q of San Giorgio Maggiore, probably northern Italy, about 1440-1450. The J. Paul Getty Museum, Ms. 41, verso. Right: The Italian wine region Colli Piacentini in the Emilia-Romagna province. Photo: Francesco Secchi (Wikimedia Commons)

Wines good enough for a Renaissance prince. More»

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Posted in Exhibitions and Installations, J. Paul Getty Museum, Manuscripts and Books

Explore Renaissance Italy from Your Laptop

NITVirtual1

New online exhibition features 100 beautiful Renaissance illuminations from northern Italy. More»

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Posted in J. Paul Getty Museum, Sculpture and Decorative Arts

This Renaissance Sculpture Just Became a French Movie Star

Double Head (detail of face) / Francesco Primaticcio

This Renaissance sculpture stars in a French biopic. More»

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Posted in Art, J. Paul Getty Museum, Manuscripts and Books, Research

Revisiting a Florentine Master

Left: A Bust of a Pope-Saint, about 1310-1315, Pacino di Bonaguida.  Pot-metal and clear glass, black and brown vitreous paint, 35 13/16 x 26 3/8 in. Museo dell’Opera di Santa Croce, Fondo Edifici di Culto, Ministero dell’Interno, Florence. Center: Saint Francis in Antiphonary, about 1320, Pacino di Bonaguida.  Tempera colors and gold leaf on parchment, 20 ½ x 13 15/16in.  Archivio di Santa Croce, Florence, Corale Q, fol. 121v (Photo: Bryan C. Keene). Right: Chiarito Tabernacle (detail), 1340s, Pacino di Bonaguida. Gilded gesso and tempera on panel, 39 7/8 x 44 11/16 in. The J. Paul Getty Museum, 85.PB.311
Left: A Bust of a Pope-Saint, about 1310-1315, Pacino di Bonaguida. Pot-metal and clear glass, black and brown vitreous paint, 35 13/16 x 26 3/8 in. Museo dell’Opera di Santa Croce, Fondo Edifici di Culto, Ministero dell’Interno, Florence. Center: Saint Francis in Antiphonary, about 1320, Pacino di Bonaguida. Tempera colors and gold leaf on parchment, 20 ½ x 13 15/16in. Archivio di Santa Croce, Florence, Corale Q, fol. 121v (Photo: Bryan C. Keene). Right: Chiarito Tabernacle (detail), 1340s, Pacino di Bonaguida. Gilded gesso and tempera on panel, 39 7/8 x 44 11/16 in. The J. Paul Getty Museum, 85.PB.311

New research on Pacino di Bonaguida, a central figure in the rise of the Renaissance in Florence. More»

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Posted in Art, Prints and Drawings

Leonardo da Vinci, Renaissance Lefty

Detail of a Caricature of a Man with Bushy Hair / Leonardo da Vinci
Caricature of a Man with Bushy Hair (detail), about 1494, Leonardo da Vinci. Pen and brown ink, 2 5/8 x 2 1/8 in. The J. Paul Getty Museum, 84.GA.647

Leonardo da Vinci’s drawings contain a little-known secret. More»

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      What is sunrise like at the Getty?

      “The fog was so thick we couldn’t see the sunrise when it came at 5:47am PT. There was no gong, no fanfare. Many of us were oblivious, engrossed in conversations with old friends or new acquaintances, awkwardly touching each other as per Ono’s instructions, or contemplating the obscured landscape. I looked at my companions, asking them “Was that it? Did we miss it?” That was it, but we hadn’t missed it at all.

      Piece by hyperallergic‘s Matt Stromberg. Read in full here.

      07/06/15

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