tapestries

Posted in Behind the Scenes, Conservation, Getty Conservation Institute

Conservation Tools: The Microfading Tester

Vincent Beltran uses a microfading tester on a tapestry from the Getty Museum’s collection

Measuring color changes in light-sensitive works of art. More»

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Posted in Exhibitions and Installations, J. Paul Getty Museum

Peter Paul Rubens Unrolls in L.A.

It's almost up!
Tapestry © PATRIMONIO NACIONAL

See how Peter Paul Rubens’s enormous tapestries were installed at the Getty. More»

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Posted in Art, Exhibitions and Installations, Getty Foundation, J. Paul Getty Museum

The Marvels of Peter Paul Rubens’s “The Triumph of the Eucharist” Online

Rubens's Triumph of the Eucharist at the Prado
Photo © Museo Del Prado

Paintings and tapestries by the great baroque artist come to the Getty in October. More»

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Posted in Art, Getty Research Institute, Photographs, Film, and Video, Research, Sculpture and Decorative Arts

77,000 Images of Tapestries and Italian Monuments Join the Open Content Program

Italian sculpture / Max Hutzel
Max Hutzel photographed Italy for 30 years, documenting architecture, paintings, frescoes, sculpture, manuscripts, metalwork and other "arte minore" (minor arts). The Getty Research Institute, 86.P.8

Photographs of Italian monuments and European tapestries join the Open Content Program. More»

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      #ProvenancePeek: July 31

      Every art object has a story—not only of how it was made, but of how it changed hands over time until it found its current home. That story is provenance.

      This small panel by Dutch master Gerrit Dou (photographed only in black and white) is now in the collection of the Sterling and Francine Clark Art Institute. It was sold to American collector Robert Sterling Clark, an heir to the Singer sewing machine fortune, in the summer of 1922.

      How do we know this? Archival sleuthing! A peek into the handwritten stock books of M. Knoedler & Co. (book 7, page 10, row 40, to be exact) records the Dou in “July 1922” (right page, margin). Turning to the sales books, which lists dates and prices, we again find the painting under the heading “New York July 1922,” with its inventory number 14892. A tiny “31” in superscript above Clark’s name indicates the date the sale was recorded.

      M. Knoedler was one of the most influential dealers in the history of art, selling European paintings to collectors whose collections formed the genesis of great U.S. museums. The Knoedler stock books have recently been digitized and transformed into a searchable database, which anyone can query for free.

      Girl at a Window, 1623–75, Gerrit Dou. Oil on panel, 10 9/16 x 7 ½ in. Sterling and Francine Clark Art Institute, Williamstown, Massachusetts


      #ProvenancePeek is a monthly series by research assistant Kelly Davis peeking into #onthisday provenance finds from the M. Knoedler & Co. archives at the Getty Research Institute.

      07/31/15

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