Behind the Scenes, Getty Villa, J. Paul Getty Museum

A Living Artifact: “Trojan Women (after Euripides)” Premieres Tonight

Tonight at 8:00 p.m., the Getty Villa becomes a stage for the premiere of Trojan Women (after Euripides).

It’s the culmination of years of work and refinement, both for SITI Company (presenting the play) and for the team at the Getty Villa that has helped shape the production. “Being here is remarkable because of the passionate relationship that the curators, in particular, have to what we’re doing,” says Anne Bogart. “They care and they have an opinion and it ultimately, I am sure, will make what we are doing a much stronger artifact, a living artifact.”

In this third part of our video interview series (see parts one and two), Bogart, playwright Jocelyn Clarke, and SITI Company cast members Ellen Lauren and Leon Ingulsrud discuss what it’s like working in a museum setting. “We’re treating the theater and the museum as a site-specific place; we’re not building a fancy set. Lighting is huge in our production, because the way you light that building and the environment—and the brush, bushes, and everything—is an aesthetic event.”

They also discuss the impact Trojan Women has had over time, and will have on the audience today. If you’d like to join that audience, get tickets here; Saturday nights are sold out, but some tickets are still available for Thursday and Friday evening performances.

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      thegetty:

      GAME OF THRONES: SEASON 6, EPISODE 2

      Winter is coming. All men must die. And Game of Thrones is back! Stay tuned each week as we unpack Sunday’s episodes through masterpieces.

      Winter is coming indeed! A snowy forecast has just been resurrected thanks to a please-touch-me-and-cut-my-hair lady in red. The epic line “I drink and I know things” provides especially good wisdom for how to tame two dragons

      Several characters went at it this week: a soldier and a friar exchanged heated remarks in the presence of an armed peace mob, a girl with no name and another not-so-kind girl went stick to stick, a crow and a giant went crossbow to stone wall, a first-born son stabbed his father, starving hounds and a new mother went canines to flesh, and two brothers duked it out on a swinging bridge (one fell). Plus, the three-eyed raven (who sits in a tree) taught a forgotten character how to look into the past.


      To make our Game of Thrones posts more international, we’ll feature an image from our Global Middle Ages exhibition and pick “wildcard” images from other collections around the world.

      This week’s pick from the Getty’s Traversing the Globe exhibition comes from @lacma (because we love dragons). The wildcard images were selected from the British Museum (more dragons), the Morgan Library (giants!), and the Museo del Prado (hounds).

      Dive deeper with featurettes connecting the making of medieval manuscripts to the making of fantasy TV. 

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      #DesigningGoT - Live Stream May 4 at 7 PM PST

      Michele Clapton, costume designer for the first five seasons of Game of Thrones, joins Deborah Landis, director of the Copley Center for Costume Design at UCLA, and Bryan C. Keene, assistant curator of manuscripts at the Getty, to discuss the series’ medieval aesthetic and the visual sources for her designs.

      Tune in to the live stream here.

      05/04/16

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