Monthly Archives: November 2013

Posted in Art

MAKE ART/STOP AIDS

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“MAKE ART/STOP AIDS demonstrates how art can make things happen in the world, how it can teach and goad and shift and protect us. “ More»

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Posted in Art, Exhibitions and Installations, Manuscripts and Books

They That Go Down To The Sea In Ships

The Calling of Saints Peter and Andrew / Master of the Brussels Initials
The Calling of Saints Peter and Andrew, about 1389–1404, Master of the Brussels Initials. Tempera colors, gold leaf, gold paint, and ink on parchment, 13 x 9 7/16 in. The J. Paul Getty Museum, Ms. 34, fol. 172

A reflection on the Feast of Saint Andrew, celebrated at Canterbury Cathedral. More»

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Posted in Ancient World, Antiquities, Exhibitions and Installations, Getty Villa

The Cyrus Cylinder as Design Object

The Cyrus Cylinder / Achaemenid
The British Museum

Why explains the Cyrus Cylinder’s shape? More»

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Posted in Behind the Scenes, Getty Center

Traditional English Recipes with a California Flair

Spotted Dick at the Restaurant at the Getty Center
A contemporary spin on Spotted Dick, the traditional English pudding made with dried fruit. Here it's served with fruit compote and a creamy almond custard

Our chefs share their 21st-century updates on traditional English favorites. More»

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Posted in Art

19 Ways to Be Part of the Arts on #GivingTuesday

Visitors at the Sketching Gallery at the Getty Center
One good way to support art: make some!

In celebration of Giving Tuesday, a list of simple ideas to get involved in the arts—and receive even more back. More»

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Posted in Architecture and Design, Getty Research Institute, Photographs, Film, and Video

Dynamic L.A.: Images from the Julius Shulman Photography Archive Now Available

Julius Shulman photographing Case Study House no. 22, West Hollywood, 1960
Julius Shulman photographing Case Study House no. 22, West Hollywood, 1960. Julius Shulman photography archive. The Getty Research Institute, 2004.R.10

6,500 newly digitized images depict the development of Los Angeles architecture across decades. More»

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Posted in Behind the Scenes, J. Paul Getty Museum

Ready for Reddit – Tim Potts in an “Ask Me Anything” Session Monday, November 25

Timothy Potts / Director of the Getty Museum / 2013
Tim Potts

Have a question for the director of the Getty Museum? Ask him! He’ll be on Reddit starting at noon PST. More»

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Posted in Getty Center, J. Paul Getty Trust

Why Give Time to the Arts? 6 Questions for Getty Volunteer Stephen Thorne

stephen5

Say “Guten Tag!” to Stephen Thorne, one of the Getty Center’s first volunteers. More»

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Posted in Ancient World, Conservation, Getty Conservation Institute

Inside the Bulla Regia Model Field Project | Getty Voices

GCI consultant and project team member, Livia Alberti, working with conservation technician Mondher Habachi. Photo: Scott S. Warren
GCI consultant and project team member, Livia Alberti, working with conservation technician Mondher Habachi. Photo: Scott S. Warren

What does it take to preserve an entire ancient Roman structure? More»

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Posted in Art, Photographs, Film, and Video

Windows Around Us

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A closer look at the windows that frame our world, on social media and IRL. More»

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      It’s been 125 years since Van Gogh’s death, today we celebrate his life’s work.


      5 Ways to See Van Gogh’s Irises

      Through observations, visitor conversations, and some sneaky eavesdropping, we’ve compiled the top 5 ways people enjoy this painting.

      1. In a Crowd
        One of the most obvious ways that people see the painting is in a crowd. The gallery is almost always filled, and you might have to wait before you can get up close. The anticipation builds as you start in the back row, and slowly move until you are close enough to see the brushstrokes of Van Gogh’s thick paint.

      2. Online
        David from Colorado said that this was his first visit, but he had already seen the painting online. In addition to being available through the Getty’s Open Content program, the painting is often seen on social media. Just search #irises on Instagram for a taste of the painting’s popularity. 

      3. Alone
        If you arrive right at 10 a.m. when the museum opens, the quiet gallery provides a perfect backdrop to really examine the painting. Solitude and seclusion gives the gallery a sense of intimacy. 

      4. Multiple Times
        Repeat visits can give rise to multiple interpretations. Is it a melancholy or joyous painting? Expressive or depressive? 

      5. Internationally
        Visitors from all across the world viewed this famous Van Gogh. In just one hour you can hear multiple languages—French, Italian, Chinese, Korean, German, and more. Irises seems to rise above cultural boundaries—a Dutch painting inspired by Japanese ukiyo-e prints—to strike an emotional resonance amongst all viewers. 

      What is your favorite lens to view Van Gogh’s work through? 

      07/29/15

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