What is your job at the Getty? I’m an education specialist for family programs. Since I came to the Getty Villa in 2008, I’ve been building programs that appeal to parents and kids. There’s also a healthy new education...
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Visitors are captivated by The Spectacular Art of Jean-Léon Gérôme. I met a couple from Miami who were so intrigued by a review of the exhibition in The Art Newspaper that they decided to fly to L.A. to see...
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Canadian archaeologist Alexander “Sandy” MacGillivray studies disasters for a living. He’s an expert on one of the worst cataclysms in history, the eruption of the volcano on Thera (present-day Santorini, Greece) around 1500 B.C. Thera blackened the world’s skies,...
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Palms Elementary was our partner this year for Art Together, a pilot program that invited students to explore the Museum in depth over multiple visits. We invited Mrs. Millenbaugh’s fourth-grade class at Palms to come the Museum three times....
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What do you do at the Getty? I’m a designer. My work includes graphics, or 2-D design, as well as 3-D design-such as furniture, interiors, and architectural drawing. Our department, Design, is unique for a cultural institution because we...
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We continue our look at intriguing but lesser-known works from the Getty’s collection with two more off-the-beaten-path tips from Museum educators. In a previous post we looked at three relief sculptures; now we turn to two lovingly detailed paintings...
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I talked to Louis Marchesano, curator of prints and drawings at the Getty Research Institute, about the exhibition Printing the Grand Manner: Charles Le Brun and Monumental Prints in the Age of Louis XIV, now on view at the...
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You might have a hard time answering that question as you first stroll through the galleries of the exhibition The Spectacular Art of Jean-Léon Gérôme. But as you exit the hall featuring Gérôme’s later works, the answer lies before...
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Digging for fire at the Getty Research Institute’s recent symposium Vivísimo Muerto: Debates on Surrealism in Latin America, I recalled Guillaume Apollinaire’s thoughts on what I believe to be the essence of Surrealism: “When man wanted to make a...
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Many first-time visitors to the Getty Center disembark the tram at the top of the hill, take one look around, and wonder out loud, “What’s in all of these buildings?” Our new orientation film—also available in Spanish here—aims to...
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June 28th was an unusual Monday for me as an intern at the Getty Foundation. Instead of heading toward the Foundation offices as I would on a typical work day, I reported to the Harold M. Williams Auditorium at...
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Now that the Leonardo exhibition has closed, as co-curator—along with Anne-Lise Desmas, associate curator in the Department of Sculpture and the Decorative Arts—I can take stock of some of the things I’ve learned. I’m sad to see the exhibition...
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