A long lively stroke of deep brilliant blue, black, and white, a curved swipe of muted yellow, a short dab of red—perhaps you’ve seen artist Roy Lichtenstein’s colorful painted aluminum sculpture Three Brushstrokes on a visit to the Getty...
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Enter Paris: Life & Luxury, closing this Sunday, and you’ll hear chimes pinging through the galleries from extravagant clocks that French aristocrats used to mark time more than two centuries ago. Download (MP3 file, 5 MB) | Length: 5:24...
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The recently acquired white-ground lekythos on display in Women and Children in Antiquity (Gallery 207) at the Getty Villa is a handsome addition to the Museum’s antiquities collection. With its narrow neck and cylindrical body, this popular type of...
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Initially designating himself an “ignorant American,” photographer Alex Harris went to Cuba in 1998, camera in tow, without preconceived notions. He simply wondered what photography could tell him about this neighboring country that he, along with so many other...
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Nikolaus Pevsner (1902–1983) was one of the 20th century’s foremost historians of British architecture. Even today, tourists wander through the historic squares of England aided by Pevsner’s The Buildings of England guidebooks, which remain in print with Yale University...
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What drew them to Cuba? We asked photographers Alex Harris, Virginia Beahan, and Alexey Titarenko, whose work is featured in the exhibition A Revolutionary Project: Cuba from Walker Evans to Now, to talk about what took them to the...
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Julio César Pérez Hernández, architect and author of Inside Cuba, visits the Getty Center this Thursday to talk about Cuban architecture in conjunction with the exhibition A Revolutionary Project: Cuba from Walker Evans to Now. Evans’s photographs of Cuba...
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Most museum galleries have certain things in common. For one, the works are spaced a restful distance apart from one another on the wall. For another, they’re typically organized by school or theme. The focus might be, say, on...
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Artist Mark Bradford recently visited one of Kristine Hatanaka’s art classes at Culver City High School to talk to students about works they’d created based on his art-making activity RE-RE-Process, available through Open Studio. Initiated by Mark as part...
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This weekend, we’re screening a four-part film series, Soy Cuba!, that offers a brutal and beautiful look at Cuba through different perspectives in the 1960s (and one from 1959 with Our Man in Havana), a time of great transition...
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The well-coiffed elite of the time relished a good card game.
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Art Kaplan is on a mission. At my request, he’s looking for a particular yellow pigment to show me—and there are hundreds of yellows to choose from, in drawers labeled Yellow Ochre, Lemon Ochre, Golden Yellow, French Yellow, and...
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