Update—videos of this event have been archived here. The three-day symposium Between Theory and Practice: Rethinking Latin American Art in the 21st Century is streaming live this weekend, from Friday March 11 through Sunday March 13. We invite you...
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The body, being, and humanness are Zhang Huan’s primary mediums and subjects.
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The intriguing exhibition The Secret Life of Drawings—closing this Sunday at the Getty Center—unveils hidden clues to unfinished works on paper, undiscovered sketches, and details of the artist’s craft. It also reveals that making damaged art look presentable can...
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New for summer 2012—The Vexed Man is back at the Getty, but he’s moved from his usual haunts for the exhibition Messerschmidt and Modernity, July 24–October 13, 2012. The show brings together several of Messerschmidt’s Character Heads, including the...
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At a time when we’re accustomed to viewing art in museums—and often in galleries that more or less resemble a white cube—it’s worth thinking back a few centuries to the way many of the paintings and objects in collections...
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What is your job at the Getty? I work as a gallery teacher at the Getty Villa. Gallery teachers lead tours in the museum and get to talk with visitors about art all day long. In the Museum we...
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The scholarly catalogue has long been a critical part of a museum’s mission, providing authoritative information about collection objects for scholars, students, and the general public. Richly illustrated and often based on years of painstaking research, print catalogues form...
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Inside the process of conserving a Renaissance masterpiece.
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What do you do at the Getty? I’m an objects conservator at the Getty Research Institute. The GRI houses a vast research library, with all sort of material relating to art history. Our special collections contain photographs, prints and...
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Renoir's portrait of Cahen d-Anvers and de Waal's netsuke
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Neoclassic painter Jacques-Louis David was also a leader in the French Revolution.
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I talked to Louis Marchesano, curator of prints and drawings at the Getty Research Institute, about the exhibition Printing the Grand Manner: Charles Le Brun and Monumental Prints in the Age of Louis XIV, now on view at the...
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