When I walked into the Getty ten weeks ago, I could never have expected all the amazing experiences that I’d have this summer as the intern in the Web Group. During my internship, I’ve done everything from interviewing Getty staff...
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What do you do at the Getty? I manage the Getty Vocabulary Program. You probably want to know what that is! We compile databases of terminology that allow people to catalog art and to retrieve information about it. I’ve...
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“Focus is power,” said theater director Peter Sellars to a packed crowd at the American Association of Museums annual meeting earlier this year. Artworks can make you recognize things you instinctively knew but weren’t able to articulate. They bring...
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What is your job at the Getty? I’m an education specialist for family programs. Since I came to the Getty Villa in 2008, I’ve been building programs that appeal to parents and kids. There’s also a healthy new education...
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Canadian archaeologist Alexander “Sandy” MacGillivray studies disasters for a living. He’s an expert on one of the worst cataclysms in history, the eruption of the volcano on Thera (present-day Santorini, Greece) around 1500 B.C. Thera blackened the world’s skies,...
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What do you do at the Getty? I’m a designer. My work includes graphics, or 2-D design, as well as 3-D design-such as furniture, interiors, and architectural drawing. Our department, Design, is unique for a cultural institution because we...
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Digging for fire at the Getty Research Institute’s recent symposium Vivísimo Muerto: Debates on Surrealism in Latin America, I recalled Guillaume Apollinaire’s thoughts on what I believe to be the essence of Surrealism: “When man wanted to make a...
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During a tour of the new exhibition The Spectacular Art of Jean-Léon Gérôme, curator Mary Morton stopped in front of Gérôme’s Snake Charmer and asked the audience, “What do you see?” Murmurs spread through the crowd. One brave little...
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June 28th was an unusual Monday for me as an intern at the Getty Foundation. Instead of heading toward the Foundation offices as I would on a typical work day, I reported to the Harold M. Williams Auditorium at...
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Now that the Leonardo exhibition has closed, as co-curator—along with Anne-Lise Desmas, associate curator in the Department of Sculpture and the Decorative Arts—I can take stock of some of the things I’ve learned. I’m sad to see the exhibition...
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This is the second in our series of Q&As on arts careers. We return from conservation in the field to discuss the behind-the-scenes work of a preparator. What do you do at the Getty? I’m a preparator—I set up...
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This is the first in a series on the Iris about interesting and unusual arts careers. We begin with Rand Eppich of the Getty Conservation Institute, who has combined his skills in architecture, photography, technology, and teaching into a...
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