Getty Voices: Looking Closely
How, and why, we made an exhibition with only four objects.
Read MoreHow, and why, we made an exhibition with only four objects.
Read MoreAn alumna of the Foundation’s Multicultural Undergraduate Internship Program reflects on making and sustaining connections.
Read MoreA conversation on expanding digital art history.
Read MoreBrowse around L.A. faster than freeway travel (as if freeway travel is ever speedy). “Pacific Standard Time Presents” website sets new sights on how our city was made Modern.
Read MoreIn the digital age, is art history still relevant?
Read More“You will be forgotten. Your image, however, will be immortal. Through it, you will travel far—not by horse and cart, or merchant ship, but through the sky…”
Read MoreWinter, the sere season? Not in California, where the cool months are our lushest, our most verdant of all.
Read MoreA virtual stroll through Renaissance gardens via illuminated manuscripts.
Read MoreWhat does a provenance researcher do? And how does she do it?
Read MoreVermeer's newly arrived Woman in Blue Reading a Letter seems calmly at home in our galleries—but introduces a distinctive new presence.
Read MoreIt could happen to you: comic mix-ups, near-death encounters, and other tales of accursed romance from French prints at the Getty Research Institute.
Read More"A feeling of surprise, even disbelief, that someone so unique could have remained unknown to us for so long."
Read More