This is the second in our series of Q&As on arts careers. We return from conservation in the field to discuss the behind-the-scenes work of a preparator. What do you do at the Getty? I’m a preparator—I set up...
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Mexican cooking as we know and love it in the U.S.—moles, carne asada, burritos, cafe con leche, loads of melty cheese—would have been unrecognizable to the Aztecs. They didn’t have cows, pigs, sugar, cheese, butter, cinnamon, or wheat. They...
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How do you make a movie about Edward Hopper? The artist—famous for his haunting and enigmatic paintings such as Nighthawks and New York Movie—was conspicuously taciturn, speaking little about his work, giving few interviews, and keeping to a small...
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Powdered saffron, simmering roots, crushed leaves…no, it’s not what’s cooking in the kitchen, but what’s been cooking at the Getty Villa this quarter for the UCLA/Getty Master’s Program in the Conservation of Archaeological and Ethnographic Materials. As part of...
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We were about to go see gallery teacher Audrey Chan’s favorite artwork in the whole museum. “What are the some of the rules we need to follow in the galleries?” she asked the 15 parents and children who crowded...
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I sat down last Wednesday night with some trepidation to watch the premiere of Bravo’s new reality show Work of Art: The Next Great Artist. For most artists and arts professionals, the show was a harrowing prospect—how can the...
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The premise of The Aztec Pantheon and the Art of Empire is a unique one: that just as classical antiquity colored Spanish perceptions of Mesoamerica, the experience of Aztec civilization piqued curiosity about Renaissance Europe’s own ancient heritage. As...
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How do people of different faiths read, interpret, and depict the sacred texts known in the Christian tradition as the Old Testament? Come explore the question with us this Sunday as Reverend Alexei Smith, director of the Office of...
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Spin control—it’s been around for centuries. Louis XIV, king of France from 1660 to 1715, was a master at it, using art—especially the work of his court painter, Charles Le Brun—to create and perpetuate a glorified image of his...
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For six months, I lived up the hill from Sunset and Coronado in Silverlake. I’d go to Mariela’s for burritos—always a little too watery, always with salsa not quite spicy enough, but cheap, and the size of a brick....
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Helping visitors from across the country get a sense of the cultural landscape of L.A.
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On a recent Saturday night, nearly 20 visitors tried to make sense of a huge, mysterious painting in the Getty Center’s Flemish gallery. Mysterious, because our leader, Lilit Sadoyan, had covered up the painting’s accompanying wall text. We were...
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