Most museum galleries have certain things in common. For one, the works are spaced a restful distance apart from one another on the wall. For another, they’re typically organized by school or theme. The focus might be, say, on...
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After several months of writing and archival processing, I’ve just finished my work on the archive of Galerie Schmela. The archive’s 172 boxes and 25 flat file folders are listed and described here. The records of Galerie Schmela in Düsseldorf document the business...
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What did 19th-century visitors to the Holy Land photograph?
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If our globe had a school playground, could you spot Italy? That’s right, the one voted “most popular.” Good-looking, sharp, charismatic. Plus, a rock star in art class. This year, the popular kid turns 150. Surprisingly, the nation that...
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This weekend, we’re screening a four-part film series, Soy Cuba!, that offers a brutal and beautiful look at Cuba through different perspectives in the 1960s (and one from 1959 with Our Man in Havana), a time of great transition...
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Update—We’ve posted video excerpts from Patrick McGovern’s talk. See below for his discussion of Midas Touch, here for Chateau Jiahu, and here for Theobroma. What ancient brews were served at the funeral feast of King Midas, or his father...
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The well-coiffed elite of the time relished a good card game.
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Over 60 haiku in honor of Vincent van Gogh.
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Get acquainted with J.M.W. Turner's Modern Rome at the Getty Center.
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For 25 years the Getty Research Institute has been inviting scholars from around the world to visit, do research, and ask provocative questions. During his recent stay, Zhu Qingsheng (LaoZhu), director of the Center of Visual Studies at Peking...
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The body, being, and humanness are Zhang Huan’s primary mediums and subjects.
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For our Getty Perspectives lecture series, filmmaker Peter Greenaway came to speak about his new work creating immersive environments inspired by masterpieces of European painting. At the event, and on Facebook and Twitter, we put out the call for...
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