digital art history

Posted in Art, Getty Research Institute, Photographs, Film, and Video, Research, Sculpture and Decorative Arts

77,000 Images of Tapestries and Italian Monuments Join the Open Content Program

Italian sculpture / Max Hutzel
Max Hutzel photographed Italy for 30 years, documenting architecture, paintings, frescoes, sculpture, manuscripts, metalwork and other "arte minore" (minor arts). The Getty Research Institute, 86.P.8

Photographs of Italian monuments and European tapestries join the Open Content Program. More»

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Posted in Art, Getty Research Institute, Research

Art & Architecture Thesaurus Now Available as Linked Open Data

Linked Open Data / Vincent van Gogh's Irises

A key reference database on art and architecture is now available for free download. More»

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Posted in Art, Getty Research Institute, Research

Beyond Digitization—New Possibilities in Digital Art History

Madonna, Saint Thomas Aquinas, and Saint Paul / Bernardo Daddi
Digital Daddis. In the Getty Center galleries with Madonna, Saint Thomas Aquinas, and Saint Paul, about 1330, Bernardo Daddi. Tempera and gold leaf on panel, 47 1/2 x 22 in. The J. Paul Getty Museum, 93.PB.16

Museums and libraries have digitized millions of works of art. Now what? More»

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Posted in Art, Education, Getty Research Institute, Research

5,400 Images from the Getty Research Institute’s Special Collections Now Available as Open Content

Lantern design in Kangxi dengtu / Chinese
Lantern design in Kangxi dengtu (Kangxi-era lantern patterns), Chinese, 1790. Ink and watercolor, 29.7 x 24 cm. The Getty Research Institute, 2003.M.25

Thousands more images, from Renaissance prints to early photographs, join the Open Content Program. More»

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Posted in Getty Foundation, J. Paul Getty Museum

Digital Success, Interactive Reading, and Other Open Questions about OSCI and Digital Publishing

catalogues2

How do we measure success in digital publishing? What’s better, an app or responsive design? What do we mean by “reading” now? More»

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Posted in Art, Getty Foundation, Publications, Voices

OSCI and The Future of Digital Publishing | Getty Voices

AnneHelmreich_digipubs

Digital isn’t just revolutionizing publishing. It’s revolutionizing the museum. More»

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Posted in Behind the Scenes, Publications, Research

Which Way, Digital_Humanities?

Provocation from Digital_Humanities
A provocation.

“Ours is an era in which the humanities have the potential to play a vastly expanded creative role in public life.” Will they? More»

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Posted in Behind the Scenes, Manuscripts and Books, Research, Voices

Creating “Getty Scholars’ Workspace”: Lessons from the Digital Humanities Trenches

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Getty Scholars’ Workspace, an online collaborative working environment, is taking shape at the Getty Research Institute. Lessons from the pilot project. More»

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      #ThyCaptionBe: Warnings to the Rich & Powerful

      You captioned this detail. And we’re revealing the full story now.

      It would be awesome if this was Medieval hangman, or a really awkward frat party, but it’s actually the result of a one-letter swap gone wrong in a book about the fates of the rich. 

      Here’s the full story:

      You sometimes regret what pops out unexpectedly when you open your mouth, but in this case, even the fish must have been quite surprised when a wooly lamb burst forth. 

      The stories in this text by Giovanni Boccaccio warn of the terrible fate that often awaits the rich and powerful. He uses here the example of King Polycrates, who tossed a ring into a river, hoping for good luck, and found it later in the mouth of a fish. 

      Someone got confused, though, and instead of a ring (in French, annel), what came out instead was a lamb (agnel). Apparently, neither the ring nor the lamb worked because the king was later hanged (background).

      #ThyCaptionBe is a celebration of modern interpretations of medieval aesthetics. You guess what the heck is going on, then we myth-bust.

      08/31/15

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