Germany

Posted in Art, J. Paul Getty Museum, Prints and Drawings

This Just In: The Romantic Zeitgeist

A Swan among Reeds by Moonlight, September 18, 1852, Carl Gustav Carus, charcoal with white chalk heightening on brown paper. The J. Paul Getty Museum.
A Swan among Reeds by Moonlight, September 18, 1852, Carl Gustav Carus, charcoal with white chalk heightening on brown paper. The J. Paul Getty Museum.

Three Romantic drawings are on view for the first time. More»

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Posted in Art, Exhibitions and Installations, Getty Research Institute

Bombing the Cathedral of Reims

German propaganda about the Rheims cathedral bombing
German propaganda card from 1917. The text reads, "The French use the cathedral of Reims as a base of operations and therewith endanger this magnificent work of art" ("Die Franzosen benutzen die Kathedrale von Reims also Operations-Baßis und gefährden damit das herrliche Kunstwerk"). via reims.fr

The battle that launched the culture clash of World War I. More»

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Posted in Getty Research Institute, Prints and Drawings, Research

Treasures from the Vault: Heinrich Geissler’s Groundbreaking Archive

Black and white photograph of an unsigned drawing of a man holding a bow
Study photograph of an unsigned drawing of a man holding a bow

A newly catalogued archive sheds light on how art history was written in Germany after the war. More»

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Posted in Art, Education, J. Paul Getty Museum

How Should We Remember the Berlin Wall?

Memorial for the 25th anniversary of the fall of the Berlin Wall in a shopping mall
Photo: Christof Zwiener

“We believe that celebrations and congratulatory moments must give way to more creative engagement.” More»

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Posted in Getty Research Institute, Publications, Research

New Online Resource to Reveal Stories about Nazi-Looted Art, Wartime Art Market

Paintings in storage at the Munich Central Collecting Point / Johannes Felbermeyer
Paintings in storage at the Munich Central Collecting Point, ca. 1945–49, Johannes Felbermeyer. This was one of several sites used by the Allies to identify, photograph, and restitute Nazi-seized artworks after the war. Photo Study Collection. The Getty Research Institute, 89.P.4

Featuring over 2,000 newly digitized catalogs, a new database will revolutionize Nazi-era art research. More»

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Posted in Getty Foundation, Philanthropy

Field Report from the Art History Olympics, the 33rd CIHA Congress

Program book and Anne Helmreich's attendee badge from the 2012 CIHA conference

Art history, like most other professions, relies on acronyms. CIHA refers to the International Committee for the History of Art, which is one of the oldest organizations in the profession, founded in 1930. I recently attended CIHA’s 33rd Congress in… More»

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Posted in Exhibitions and Installations, J. Paul Getty Museum, Photographs, Film, and Video

Lyonel Feininger’s Photographic Vision

Moholy's Studio Window around 10 p.m. / Lyonel Feininger

In the 1920s, Lyonel Feininger was one of Germany’s best-known artists. He painted, drew, and made prints; he sketched caricatures and composed music; he even created a miniature city that would presage stop-motion animation. But in 1928, at age 58,… More»

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Posted in Art, Exhibitions and Installations, Getty Research Institute

The First Modern Catalogue of an Art Collection: Q&A with Curator Louis Marchesano

View of a Room at Pommersfelden Palace / Johann Georg Pintz

In the 1700s, the seeds of a new style of presenting works of art—both on the wall and on the page—were planted by a German prince. I talked with Louis Marchesano, curator of prints and drawings at the Getty Research… More»

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Posted in Art, Exhibitions and Installations, Getty Research Institute

A Gallery Fit for a Prince and Now the Public? The Düsseldorf Gallery and the Modern Museum

View of a Room at Pommersfelden Palace. Johann Georg Pintz, printmaker; Salomon Kleiner, draftsman; in Representation au naturel des chateaux... (Augsburg, 1728), pl. 18. The Getty Research Institute,84-B21917

Most museum galleries have certain things in common. For one, the works are spaced a restful distance apart from one another on the wall. For another, they’re typically organized by school or theme. The focus might be, say, on fashion… More»

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      This stereograph of a dart board made in about 1855 belongs to a series featuring optical illusions. Stereographs were made and passed around as an entertaining way to see things from around the world.

      08/04/15

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