performance art

Posted in Art

What Happens When Stem Cell Science and Performance Art Collide?

Ear on Arm, 2006, Stelarc. London, LOs Angeles, and Melbourne. Image by Nina Sellars, courtesy of Stelarc.
Ear on Arm, 2006, Stelarc. London, LOs Angeles, and Melbourne. Image by Nina Sellars, courtesy of Stelarc.

“Artsci”: How Avant-Garde Experimenters Are Deploying the Tools of Science More»

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Posted in Art, Photographs, Film, and Video

Does Art Belong on a City Bus?

Out the Window / Ann Kameko
Photo courtesy of Ann Kameko

An artist creates an urban opera set inside a bus, with joyful movement as the plot. More»

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Posted in Art, Getty Research Institute, Prints and Drawings

Treasures from the Vault: The Unexplored Archive of Otto Muehl

Otto Muehl 7
Otto Muehl after Joseph Beuys’s Fat Chair, 1979. The Getty Research Institute, Otto Mühl papers, circa 1918-circa 1997

A peek into the sketchbooks of the controversial founder of Viennese Actionism. More»

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Posted in Behind the Scenes, Gardens and Architecture, Getty Center, J. Paul Getty Museum

Ladybugs on the Lam!

Grounds and Gardens supervisor Michael DeHart with ladybugs

Artist Hirokazu Kosaka’s much anticipated presentation of “Kalpa” on January 20 at the Getty Center was an experimental performance spectacular, featuring hundreds of spools of thread being pulled in the mouths of Butoh dancers, and a shining spotlight that illuminated… More»

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Posted in Behind the Scenes, Getty Research Institute

I Was There: Lita Albuquerque’s “Spine of the Earth 2012”

Rani Singh, Lucy Bradnock, and Amy Hood participating in Spine of the Earth 2012 by Lita Albuquerque

At 8:15 Sunday morning I found myself scurrying through a parking lot in Culver City to get on an old-fashioned-looking red and white bus. I took one of the last empty seats alongside dozens of other chipper volunteers as we… More»

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Posted in Behind the Scenes, Getty Center

Kalpa: No Strings Attached

string_people

Dancers, a World War II searchlight, and 400 spools of thread combined to turn the Getty Center’s Arrival Plaza into a performative installation last Friday night. Hirokazu Kosaka’s Kalpa was part of the Pacific Standard Time Public Art Festival, an… More»

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Posted in Behind the Scenes

Join Suzanne Lacy to Demand that #RapeEndsHere

Suzanne Lacy with the Rape Map at LAPD headquarters, January 2012

January 19 is the official launch of the Pacific Standard Time Performance and Public Art Festival. But it’s already unofficially begun, not only with pre-festival events last night at LAXART and tonight at the Getty Center, but also with what… More»

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Posted in Behind the Scenes, Getty Research Institute

Fire and Ice: Artists Get Ready for the Pacific Standard Time Festival

A visitor admires one of the original Disappearing Environments structures in 1968. Photo: Lloyd Hamrol

From January 19 to 29, the Pacific Standard Time Performance and Public Art Festival will present more than 30 new public art commissions and re-invented works of performance art inspired by the amazing history of art in Southern California. As… More»

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Posted in Art, J. Paul Getty Museum, Paintings

James Ensor 2.0: “Christ’s Entry into Brussels” Becomes Performance Art

Two bottle stoppers from Vive L.A Social, Mathis Collins, 2011
Vive L.A Social (details), Mathis Collins, 2011. Images courtesy of Mathis Collins

The unruly figures in James Ensor’s massive painting Christ’s Entry into Brussels in 1889 have sneaked off the canvas and into bottles across Los Angeles. They’re the cast of characters in a new performance work by French artist Mathis Collins…. More»

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Posted in Getty Foundation, Getty Research Institute

T-Minus 30 Days to Citywide Performance Art Festival

Three Weeks in May / Suzanne Lacy

The Pacific Standard Time Performance and Public Art Festival opens on January 19. For 11 days, artists will be activating public spaces across the city with a variety of performances and public art. From Pomona to Santa Monica beach, these… More»

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      Olympian Census #4: Aphrodite

      Get the stats on your favorite (and not-so-favorite) gods and goddesses on view at the Getty Center.

      Roman name: Venus

      Employment: Goddess of Love and Beauty

      Place of residence: Mount Olympus

      Parents: Born out of sea foam formed when Uranus’s castrated genitals were thrown into the ocean

      Marital status: Married to Hephaestus, the God of Blacksmiths, but had many lovers, both immortal and mortal

      Offspring: Aeneas, Cupid, Eros, Harmonia, Hermaphroditos, and more

      Symbol: Dove, swan, and roses

      Special talent: Being beautiful and sexy could never have been easier for this Greek goddess

      Highlights reel:

      • Zeus knew she was trouble when she walked in (Sorry, Taylor Swift) to Mount Olympus for the first time. So Zeus married Aphrodite to his son Hephaestus (Vulcan), forming the perfect “Beauty and the Beast” couple.
      • When Aphrodite and Persephone, the queen of the underworld, both fell in love with the beautiful mortal boy Adonis, Zeus gave Adonis the choice to live with one goddess for 1/3 of the year and the other for 2/3. Adonis chose to live with Aphrodite longer, only to die young.
      • Aphrodite offered Helen, the most beautiful mortal woman, to Paris, a Trojan prince, to win the Golden Apple from him over Hera and Athena. She just conveniently forgot the fact that Helen was already married. Oops. Hello, Trojan War!

      Olympian Census is a 12-part series profiling gods in art at the Getty Center.

      08/03/15

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