poetry

Posted in #GettyInspired, Ancient World, Antiquities, Art & Archives

Poem for a Victorious Athlete

Detail of the face and shoulders of the Statue of a Victorious Youth / Greek

Of time, frailty, and fleeting victories. More»

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Posted in Art & Archives, Exhibitions and Installations, J. Paul Getty Museum, Sculpture and Decorative Arts

Poem for a Boxer at Rest

Detail of the Seated Boxer
Museo Nazionale Romano—Palazzo Massimo alle Terme, Rome. Su concessione del Ministero dei beni e delle attività culturali e del turismo—Soprintendenza Speciale per il Colosseo, il Museo Nazionale Romano e l’area archeologica di Roma. Photo © Vanni Archive / Art Resource, NY

“In composing a poem inspired by the Boxer, it was natural for me to speak from his point of view.” More»

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Posted in Art, Art & Archives, Paintings

Vermeer Taught Me to Love Again

The Milkmaid / Vermeer
The Milkmaid, ca, 1660, Johannes Vermeer. Oil on canvas, 45.5 x 41 cm. Rijksmuseum, Amsterdam

Vermeer changes a life. More»

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Posted in Art, Art & Archives, J. Paul Getty Museum

The Power of Poetry: 6 Questions for Amber Tamblyn

ambertamb

“Poetry has the power to make you feel every human emotion all at once.” More»

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Posted in Art, Art & Archives, Behind the Scenes, Exhibitions and Installations, J. Paul Getty Museum, Prints and Drawings

Getty Voices: The Poetry of Paper

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Our new drawings exhibition takes an unusual look at negative space, through the lens of poetry. More»

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Posted in Art & Archives, Exhibitions and Installations, J. Paul Getty Museum, Prints and Drawings

Marilyn Manson, Luminous Poetry, and British Watercolors

Durham Cathedral and Castle / Thomas Girtin
Durham Cathedral and Castle / Thomas Girtin, about 1800. Watercolor over pencil heightened with gum arabic, 14 3/4 x 19 1/4 in. The J. Paul Getty Museum, 2010.35

I never expected to witness an evening combining British artists Aubrey Beardsley and Thomas Girtin, goth-rocker Marilyn Manson, Ugly Betty, six contemporary American poets, Stonehenge, improvisational bassist Roberto Miranda, William Blake, and the exhumed body of a Pre-Raphaelite model. Yet… More»

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Posted in Behind the Scenes, Education, Getty Villa, J. Paul Getty Museum

Homer’s “Iliad,” Told in 135 Voices

Karol Wight, Guy Wheatley, Claire Lyons, and Jay Kurtz at the podium for the daylong reading of Homer's Iliad at the Getty Villa

It was an unusual day at the Villa. People wandered about with numbers clipped to their lapels. Intense conversations took place about Homer’s poetry, fueled by coffee and snacks. Visitors moved in and out of the auditorium, as if in… More»

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Posted in Art & Archives, Behind the Scenes, Exhibitions and Installations, Getty Research Institute

Writing Verse for “Brush & Shutter”

Diulian at the entrance to the GRI exhibition Brush & Shutter

Greeting you at the entrance to Brush & Shutter: Early Photography in China is a duilian, two lines of Chinese poetry that situate the exhibition. The author of that duilian here describes the process of its creation, which was spurred… More»

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Posted in Behind the Scenes, J. Paul Getty Museum

Natalie Merchant on Art, Poetry, and Music

Natalie Merchant. Photo: Mark Seliger
Natalie Merchant. Photo: Mark Seliger

On a rainy afternoon at the Getty Center, two dozen students and teachers anxiously awaited the arrival of Natalie Merchant. Stopping at the Getty on her national tour, the singer-songwriter had invited them to attend a workshop on the theme… More»

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Posted in Antiquities, Art & Archives, Publications

“I Mean to Box with Love”—Classical Verse for National Poetry Month

Love, ancient Roman style: Cupids cook up perfume (love potion?) in this fresco fragment from the first century A.D.

Love, in all its glory and frustrations, its heady emotions and sheer physicality, comes alive in Classical Love Poetry, a refreshing dip into the verse of the past for National Poetry Month. Think classical poetry is stale and stuffy? Quite… More»

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      Composed from memories and from drawings made during his travels in Italy, Jean-Baptiste-Camille Corot painted this view for the Paris Salon of 1839. A dramatic colored sky and a few lone figures appealed to the melancholic sensibilities of the Romantic critics of the time.

      05/01/16

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