recent acquisitions

Posted in J. Paul Getty Museum, Photographs, Film, and Video

Opposites Attract

Tarascon / Charles Tarascon
Tarascon, 1852, Charles Nègre. Waxed paper negative with selectively applied pigment, 9 5/16 x 13 1/16 in. The J. Paul Getty Museum, 2015.43.9

For 19th-century photographers, the negative was the true work of art. More»

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Posted in Art, J. Paul Getty Museum, Sculpture and Decorative Arts

This Just In: A Rediscovered Bernini

Bust of Pope Paul V / Gian Lorenzo Bernini
Newly installed at the Getty Center: Bust of Pope Paul V, 1621, Gian Lorenzo Bernini. Marble. The J. Paul Getty Museum

An elusive masterpiece joins the collection More»

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Posted in Art, Getty Research Institute, Photographs, Film, and Video

This Just In: Fantastic Island

Image from Fantastic Island / Patricia Lagarde
© Patricia Lagarde

An old fishing boat inspires a fantastic tale of heroism and disaster. More»

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Posted in J. Paul Getty Museum, Paintings

This Just In: Édouard Manet’s “Spring”

Spring (Jeanne Demarsy) / Manet
Spring (Jeanne Demarsy), 1881, Édouard Manet. Oil on canvas, 29 1/8 x 20 ¼ in. The J. Paul Getty Museum

For Manet, fashion and the femininity were metaphors for the skilled artifice of painting itself. More»

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Posted in J. Paul Getty Museum, Paintings

The Radical Artistic Vision of Manet’s “Spring”

Spring as installed at the Getty Museum / Edouard Manet
Spring (Jeanne Demarsy), 1881, Édouard Manet. Oil on canvas, 29 1/8 x 20 ¼ in. The J. Paul Getty Museum

This beautiful painting contains the germ of modern art as we know it. More»

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Posted in Getty Research Institute, Prints and Drawings

This Just In: Anatomy in Wax, Wood, and Ink

“These prints preserve a fascinating moment in the history of art and science, through the meeting point of anatomy.” More»

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Posted in J. Paul Getty Museum, Photographs, Film, and Video

This Just In: The Sublime in the Everyday

Cookie in the Snow, Seacoal Camp, Lynemouth, Northumberland / Chris Killip
"Cookie" in the Snow, Seacoal Camp, Lynemouth, Northumberland, 1985, Chris Killip. Gelatin silver print, 10 7/8 x 13 3/8 in. The J. Paul Getty Museum, Purchased with funds provided by the Photographs Council, 2014.25.11. © Chris Killip

Chris Killip’s photographs depict hard-working people in a bleak yet visually stunning setting. More»

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Posted in Art, J. Paul Getty Museum, Prints and Drawings

This Just In: Three Drawings from the Dutch Golden Age

A Hollyhock, 1682, Herman Saftleven (Dutch, 1609-1685). Watercolor, gouache and black chalk, 35.2 x 25.2 cm. © Christie's Images Limited (2014)
A Hollyhock, 1682, Herman Saftleven (Dutch, 1609-1685). Watercolor, gouache and black chalk, 35.2 x 25.2 cm. © Christie's Images Limited (2014)

A peasant portrait, botanical watercolor, and winter scene join the Getty Museum’s collection More»

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Posted in Art, J. Paul Getty Museum, Prints and Drawings, Research

Who Is George Seurat’s “Indian Man”?

An Indian Man / Georges Seurat
Detail of Seurat's An Indian Man showing the finely rendered beard and topknot

Help us solve an art-historical mystery. More»

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Posted in Art, J. Paul Getty Museum, Photographs, Film, and Video

Children in Another World: The Photographs of Arthur Tress

Boy with Root Hands, New York, New York, 1971. Arthur Tress (American, born 1940). Gelatin silver print. The J. Paul Getty Museum, Los Angeles. © Arthur Tress.
Boy with Root Hands, New York, New York, 1971, Arthur Tress. Gelatin silver print, 10 1/16 x 10 3/16 in. The J. Paul Getty Museum, 2013.68.13. © Arthur Tress

The inner lives of children take form in the American photographer’s surreal, compelling images. More»

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      Corita said that ads and billboards were the carriers of man’s loves, hopes, and beliefs, and that she was restoring life to words by taking them back from advertising. For Corita, “the big G” wasn’t General Mills, it was God; the dots on the Wonder Bread wrapper weren’t a decorative element, they were hosts. But her work was not a commentary or criticism of mass-market commercialism, as some may read it today. Her work was about joy and, she said, giving people an idea of what harmony might look like.

      If she were alive today, I’m sure Corita would still be an advocate for social justice and creating work with a message. I’m sure she would be delighted to communicate with people all over the world through social media. For Corita, looking was a spiritual act and she would invite you to do that: just look.

      Corita Kent, An Artist Who Sees Holiness in Wonder Bread

      All images: Corita Art Center, Immaculate Heart Community, Los Angeles, CA. Photographs by Arthur Evans, courtesy of the Tang Museum at Skidmore College

      08/28/15

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