SFMOMA

Posted in Art, Exhibitions and Installations

Garry Winogrand’s Scenes of Ebulliance, and Unease

Coney Island, New York. c. 1952. Gelatin silver print, 8 11/16 x 12 15/16" (22 x 33 cm). Purchase and gift of Barbara Schwartz in memory of Eugene M. Schwartz. Estate of Garry Winogrand, courtesy of Fraenkel Gallery
Coney Island, New York. c. 1952. Gelatin silver print, 8 11/16 x 12 15/16" (22 x 33 cm). Purchase and gift of Barbara Schwartz in memory of Eugene M. Schwartz. Estate of Garry Winogrand, courtesy of Fraenkel Gallery

A retrospective now at the Met captures America’s postwar “out-of-control-ness” More»

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Posted in Getty Foundation, Philanthropy, Publications, Research

What Is a Page in the Digital Age?

On Performativity / Walker Art Center
View of the Walker’s new OSCI publication, On Performativity. Image courtesy Walker Art Center

A new crop of digital museum catalogues reinvents the page for the 21st century. More»

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Posted in Behind the Scenes, Getty Foundation, Publications

New SFMOMA Catalogue Gives Museums 5 Reasons to Embrace Digital Publishing

SFMOMA's Rauschenberg Research Project

SFMOMA’s new online catalogue of Robert Rauschenberg’s work harnesses multimedia, archival material, and more. More»

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Posted in Art, Getty Foundation, Publications, Voices

OSCI and The Future of Digital Publishing | Getty Voices

AnneHelmreich_digipubs

Digital isn’t just revolutionizing publishing. It’s revolutionizing the museum. More»

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Posted in Getty Foundation, Research

Looking With New Eyes at Scholarly Art Catalogues

SFMOMA, one of the participants in the OSCI initiative, has chosen to focus on Robert Rauschenberg, given their significant holdings of his work, and their team is gathering together curatorial essays, conservation documentation, audio interviews and related materials in a single online resource. Image: Collection (formerly Untitled), Robert Rauschenberg, 1954, oil, paper, fabric, wood, and metal on canvas, SFMOMA
SFMOMA, one of the participants in the OSCI initiative, has chosen to focus on Robert Rauschenberg, given their significant holdings of his work, and their team is gathering together curatorial essays, conservation documentation, audio interviews and related materials in a single online resource. Image: Collection (formerly Untitled), Robert Rauschenberg, 1954, oil, paper, fabric, wood, and metal on canvas, SFMOMA

The scholarly catalogue has long been a critical part of a museum’s mission, providing authoritative information about collection objects for scholars, students, and the general public. Richly illustrated and often based on years of painstaking research, print catalogues form one… More»

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      An Infrared reflectogram of a painting by Andrea Del Sarto reveals an architectural drawing beneath. Could it be a compositional underdrawing of a Pietro Perugino painting? 

      “What an odd discovery! It was one of those moments I’ll never forget. It’s humbling to realize how little we really know about major artists who worked so long ago, and a little glimpse such as this makes that all the more apparent.” —Getty Museum Drawings Curator Julian Brooks

      Read more on this discovery on The Getty Iris here.

      09/03/15

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