Four Minds on Herzog: A Conversation with Nancy Perloff
“The end is a kind of apotheosis. Maybe that sounds too romantic or spiritual. But the single most remarkable thing is that you lose all sense of time.”
Read More“The end is a kind of apotheosis. Maybe that sounds too romantic or spiritual. But the single most remarkable thing is that you lose all sense of time.”
Read MoreThe deep appeal of the imagined landscape.
Read More“I think he sees Hearsay of the Soul as a poem, and doesn’t want to make a documentary—that was a very deliberate choice. It feels very personal, and that’s what makes it interesting.”
Read MoreSpeaking at the Getty this weekend, the centerpiece of a new LACMA show, and guest artistic director at the AFI Fest—all at age 85.
Read MoreMusic and landscape combine to create a powerful "separate reality."
Read MoreAs some parts of the world approach the dystopian, cyberpunk 2019 Los Angeles depicted in Blade Runner, the film’s relation to architecture and environment is worth another look.
Read MoreWelcome to the Getty Center, aka Starfleet Headquarters.
Read MoreTokyo Drifter, screening this weekend, “smacks you in the face with a bucket of WTF paint.”
Read MoreStunning by day and by night, the Outer Peristyle is also a backdrop for a dramatic duck love story.
Read MoreDirector Aion Velie reflects on how the film conveys Ritts’s spirit and working method.
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