Monthly Archives: May 2013

Posted in Architecture and Design, Art, Exhibitions and Installations, Getty Research Institute, Research

Treasures from the Vault: Harald Szeemann’s “Project Files”

Photos of the Venice Biennale from the Harald Szeemann papers
Behind the scenes at the Venice Biennale. At top left, Szeemann inspects construction progress; at bottom right, artwork crates arrive by boat. Undated; photographers unknown. The Getty Research Institute, Harald Szeemann papers, 1892–2010

As director of the Venice Biennale, curator Harald Szeemann created new ways of showing art—and new places to show it. More»

Tagged , 1 Response
Posted in Art, J. Paul Getty Museum, Research

The Monuments Men and the Race to Save Masterpieces, A Q&A with Robert Edsel

Robert Edsel
Robert Edsel

“What makes a man risk his life to save someone else’s life, much less a work of art?” More»

Tagged , , , , , , , Leave a comment
Posted in Art, Gardens and Architecture

Edible Gardening in the Renaissance

gm_00258501_detail

What grew in the Renaissance garden? Many familiar favorites, from cabbage to strawberries. More»

Tagged , , , , , , , 2 Responses
Posted in Education, Getty Center, Voices

Getty Voices: “I like art. Now what?”

Question_SarahWaldorf

How do you make a career in the arts? Ask a question and get an answer this week as Getty Voices talks careers. More»

Tagged , 5 Responses
Posted in Art, J. Paul Getty Museum, Photographs, Film, and Video

The Civil War in Pictures

Portrait of a Confederate Soldier/ unknown photographer
Portrait of a Confederate Soldier, about 1862, unknown photographer. Hand-colored ambrotype, 2 9/16 x 2 1/16 in. The J. Paul Getty Museum, 84.XT.818.16

The Civil War captured in early photographs, from young New Yorkers headed to the battlefield to Robert E. Lee one week after the surrender. More»

Tagged , , , , , Leave a comment
Posted in Art, Getty Research Institute, Paintings, Research

Treasures from the Vault: The Man of La Belle Ferronière

Image 5_The London Illustrated_July 18 1931_1

A fake Leonardo? The scandalous court case of art dealer Joseph Duveen. More»

Tagged , , , , , , , 3 Responses
Posted in Architecture and Design, Art, Behind the Scenes, Conservation, Getty Conservation Institute

The Eames House – Conserving a California Icon

GCI staff Emily Macdonald-Korth carrying out paint excavation on exterior metal work.

A multidisciplinary team is investigating the iconic Eames House in order to preserve it for the future. More»

Tagged , Leave a comment
Posted in Behind the Scenes, Exhibitions and Installations, J. Paul Getty Museum, Prints and Drawings, Voices

Researching the Renaissance

Julian Brooks in Florence with reproductions of Andrea del Sarto's Renaissance drawings
Florence, del Sarto, and I.

“It’s amazing to be immersed in Andrea del Sarto’s home city, his drawings, paintings, frescoes, and his life, normally all so far away when I’m in L.A.” More»

Tagged , , , , , , , 12 Responses
Posted in Architecture and Design, Voices

My L.A.: The Once and Future Golden Gate Theater

Golden_Gate_Theater_East_Los_Angeles

Hollow and in disrepair, it embodied the reason I wanted to leave Los Angeles. I was wrong. More»

Tagged , , , , , , 20 Responses
Posted in Architecture and Design, Voices

My L.A.: St. John’s Cathedral, Monument of Serenity

A Romanesque gem in West Adams, St. John's Episcopal Cathedral opened its doors in 1925. Photo: Kansas Sebastian, CC BY-NC-ND 2.0
Kansas Sebastian, CC BY-NC-ND 2.0

Though overshadowed by modern icons, beautifully crafted buildings like St. John’s are an important part of our architectural heritage. More»

Tagged , , , , Leave a comment
  • Facebook

  • Twitter

  • Tumblr

    • photo from Tumblr

      #ProvenancePeek: July 31

      Every art object has a story—not only of how it was made, but of how it changed hands over time until it found its current home. That story is provenance.

      This small panel by Dutch master Gerrit Dou (photographed only in black and white) is now in the collection of the Sterling and Francine Clark Art Institute. It was sold to American collector Robert Sterling Clark, an heir to the Singer sewing machine fortune, in the summer of 1922.

      How do we know this? Archival sleuthing! A peek into the handwritten stock books of M. Knoedler & Co. (book 7, page 10, row 40, to be exact) records the Dou in “July 1922” (right page, margin). Turning to the sales books, which lists dates and prices, we again find the painting under the heading “New York July 1922,” with its inventory number 14892. A tiny “31” in superscript above Clark’s name indicates the date the sale was recorded.

      M. Knoedler was one of the most influential dealers in the history of art, selling European paintings to collectors whose collections formed the genesis of great U.S. museums. The Knoedler stock books have recently been digitized and transformed into a searchable database, which anyone can query for free.

      Girl at a Window, 1623–75, Gerrit Dou. Oil on panel, 10 9/16 x 7 ½ in. Sterling and Francine Clark Art Institute, Williamstown, Massachusetts


      #ProvenancePeek is a monthly series by research assistant Kelly Davis peeking into #onthisday provenance finds from the M. Knoedler & Co. archives at the Getty Research Institute.

      07/31/15

  • Flickr