Architecture and Design, Voices

My L.A.: St. John’s Cathedral, Monument of Serenity

This week, we’re devoting Getty Voices to personal stories about L.A. architecture, whether a favorite neighborhood or a building full tasty memories. Here, Communications head Ron Hartwig shares his favorite building, proof that modernism isn’t the only style to have brought greatness to the L.A.-scape.

A Romanesque gem in West Adams, St. John’s Episcopal Cathedral opened its doors in 1925. Photo: Kansas Sebastian, CC BY-NC-ND 2.0

Without a doubt, my favorite building in Los Angeles is St. John’s Episcopal Cathedral, one of the finest examples of Romanesque architecture in the country.

Located on Adams at Figueroa, St. John’s is not to be mistaken with St. Vincent’s Catholic Church, its Spanish Baroque neighbor. Built over three years beginning in 1922, it is just one of hundreds of civic and religious buildings, and thousands of residences, that were racing to completion during the roaring twenties, a time when Los Angeles was growing by leaps and bounds. Residents, patrons, and architects alike seemed to be competing with each other during this period of enormous growth. Some experimented with new forms of architecture, even as others tried to make L.A. a “serious” city by giving it monumental buildings—in other words, buildings like those one would find back east or in great cities around the world.

Sit in St. John’s at 4pm on a summer afternoon when the sunlight is just right, and the solidness of its over-two-feet thick walls, the beams of multicolored light from its stained glass washing across the interior, and the magnificent mosaics and the triptych constructed by artisans from Oberammergau provide a sense of security and serenity not felt in many places in this fast-moving metropolis. St. John’s is one of those buildings overshadowed by the contemporary architectural icons that dot Los Angeles, but it, and they, should not be left unseen.

Interior of St. John's Episcopal Cathedral, Los Angeles

Mosaics and woodwork under the soaring vaults of St. John’s Episcopal Cathedral in L.A. Photo courtesy of and © St. John’s, www.stjohnsla.org

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      Art history, statistics, network science, and informatics converge in a new study in Science magazine that maps European cultural history through birth and death dates of notable figures, using data from the Getty Union List of Artist Names.

      BONUS! It’s one of the first art history papers ever published in a peer-reviewed science magazine.

      Birth to death migration in Europe, according to the Union List of Artist Names, cumulated over all time to CE 2012. Blue dots indicate more births of notable individuals; red dots indicate more deaths. © Maximilian Schich, 2014

      07/31/14

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