Monthly Archives: August 2013

Posted in Ancient World, Antiquities, Art, Conservation

(Re)Discovering Tiberius

Statue of Tiberius
Statue of Tiberius, Roman, 1st century A.D. Bronze, 96 7/8 in. (246 cm) high. Soprintendenza Speciale per i Beni Archeologici di Napoli e Pompei - Museo Archeologico Nazionale di Napoli, Laboratorio di Conservazione e Restauro

Newly cleaned and conserved at the Getty Villa, this monumental Roman statue will go on view October 16. More»

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Posted in Behind the Scenes, Conservation, Education, Getty Conservation Institute, Getty Foundation

Conserving and Protecting Mosaics in the Mediterranean: The MOSAIKON Initiative

Detail of a mosaic from the Maison de la Nouvelle Chasse, Bulla Regia, Tunisia
Detail of a mosaic from the Maison de la Nouvelle Chasse, Bulla Regia, Tunisia

Featuring over 300 Roman and Byzantine mosaics, Bulla Regia in Tunisia is serving as an outdoor lab for mosaics conservation and training. More»

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Posted in Behind the Scenes, Photographs, Film, and Video, Publications, Voices

Getty Voices: Photographing the Dream

Group of black and white marchers holding hands at the March on Washington
Leonard Freed, Untitled, from March on Washington series, 1963. © Estate of Leonard Freed-Magnum Photos (Brigitte Freed)

The book This Is the Day brings to light Leonard Freed’s powerful photographic vision of the 1963 March on Washington. More»

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Posted in Behind the Scenes, Getty Research Institute, Manuscripts and Books, Miscellaneous

What Do Paleographers Do?

paleography_featured

It’s nothing to do with fossils—paleographers are specialists in old handwriting. More»

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Posted in Behind the Scenes, Education, Getty Conservation Institute

Graduate Internships Offer Hands-On Opportunities for Emerging Conservation Professionals

Julia Langenbacher conducts an FTIR analysis of an architectural model of a proposal for Disney Hall
Julia Langenbacher conducts an FTIR analysis of an architectural model of a proposal for Disney Hall by architect James Stering in the conservation studio at the Getty Research Institute. With permission of the Canadian Centre for Architecture, Montreal

What do graduate interns do all year at the Conservation Institute? Study, travel, learn from colleagues, and launch fascinating careers. More»

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Posted in Art, Getty Research Institute, Prints and Drawings

Treasures from the Vault: The Unexplored Archive of Otto Muehl

Otto Muehl 7
Otto Muehl after Joseph Beuys’s Fat Chair, 1979. The Getty Research Institute, Otto Mühl papers, circa 1918-circa 1997

A peek into the sketchbooks of the controversial founder of Viennese Actionism. More»

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Posted in Behind the Scenes, Conservation, Getty Conservation Institute, Research, Voices

Behind the Scenes at the GCI | Getty Voices

GCI Lab \ Beril Bicer-Simsir
Scientist Beril Bicer-Simsir testing grouts in the Getty Conservation Institute's laboratories.

A relatively new discipline, conservation science merges art and analysis to solve thorny conservation problems. More»

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Posted in Behind the Scenes, Getty Center, Miscellaneous

The Kids’ Perspective: Recess Monkey at the Getty

P8110244

Knock-knock jokes, puns, fantasy band names, and more from the Getty Center’s youngest visitors. More»

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Posted in Art, Getty Research Institute, Manuscripts and Books, Voices

Artists of the Getty Graffiti Black Book on Style, Street Art, and Special Books

Gorgs
Page by Gorgs from the artists' book L.A. Liber Amicorum

Hear from prominent graffiti artists who helped shape a 143-artist collaboration representing L.A. street art. More»

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Posted in Art, J. Paul Getty Museum, Manuscripts and Books

Sicily, The International Island

The Crucifixion and the Harrowing of Hell / Sicilian
The Crucifixion and the Harrowing of Hell in a New Testament, Sicilian, late 1100s. Tempera colors, gold leaf, and ink on parchment, 9 11/16 x 6 3/8 in. The J. Paul Getty Museum, Ms. Ludwig I 5, fol. 191v

Medieval Sicily was a hotbed of political turmoil and artistic innovation. More»

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      The idealized countryside painted by a native city dweller.

      This light and color study wasn’t meant for exhibition, but rather was a way for Corot to explore his new scenery outside of the studio. 

      Houses near Orleans, about 1830, Jean-Baptiste-Camille Corot. J. Paul Getty Museum.

      08/21/14

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