About: Desiree Zenowich

Posted in Behind the Scenes, Getty Villa, J. Paul Getty Museum

Video: Olympia Dukakis and Carey Perloff on the Making of “Elektra”

dukakis_perloff

“I will not participate in that patriarchy!” That was Olympia Dukakis’s reaction, almost 25 years ago, when director Carey Perloff approached her about starring as Clytemnestra in Ezra Pound’s translation of Elektra. Today’s production—with a text by acclaimed female  playwright… More»

Tagged , , , , , , Leave a comment
Posted in Behind the Scenes, Getty Villa, J. Paul Getty Museum

Video: Bonfire Madigan Shive on the Music for “Elektra” at the Getty Villa

Bonfire Madigan Shive

“A living, pulsing world” is what composer, cellist, and vocalist Bonfire Madigan Shive set out to create with her music for the Villa’s outdoor production of Elektra. Though it’s been described as haunting and subtle, the sound is also a… More»

Tagged , , , , , 2 Responses
Posted in Behind the Scenes, Getty Villa, J. Paul Getty Museum

Video: “Elektra” Director and Cast on Working in the Villa’s Outdoor Theater

elektra

What is it like to perform Greek tragedy in an outdoor theater setting? The director, the composer and musical director, and cast members of the sold-out new production of Sophocles’ Elektra—which premieres tonight at the Getty Villa—gave us their take… More»

Tagged , , , , , , , , , Leave a comment
Posted in Exhibitions and Installations, Getty Center, J. Paul Getty Museum, Manuscripts and Books

Interpreting Sacred Scripture across Faiths

Samson Fighting a Lion (detail), Franco-Flemish, about 1270
Samson Fighting a Lion (detail), Franco-Flemish, about 1270

How do people of different faiths read, interpret, and depict the sacred texts known in the Christian tradition as the Old Testament? Come explore the question with us this Sunday as Reverend Alexei Smith, director of the Office of Ecumenical… More»

Tagged , , , , Leave a comment
  • Facebook

  • Twitter

  • Tumblr

    • photo from Tumblr

      I do not like crooked, twisted, blasted trees. I admire them much more if they are tall, straight, and flourishing. I do not like ruined, tattered cottages. I am not fond of nettles or thistles, or heath blossoms. I have more pleasure in a snug farm-house than a watch-tower—and a troop of tidy, happy villages please me better than the finest banditti in the world.”

      Marianne looked with amazement at Edward, with compassion at her sister. Elinor only laughed.

      —Jane Austen’s Sense and Sensibility, published on October 30, 1811

      Wooded Landscape by Paulus Lieder and Landscape with a Bare Tree and a Ploughman by Leon Bonvin, The J. Paul Getty Museum; Fantastic Oak Tree in the Woods, Carl Wilhelm Kolbe the Elder, The Getty Research Institute

      10/30/14

  • Flickr