For over a year I’ve had the pleasure of working as a dramaturge with Nick Salamone, the playwright of this year’s Villa outdoor theater production of Euripides’ Helen. During rehearsals this summer I got together with Nick and director Jon… More»
Prud’hon preferred to draw with powdery applications of black and white chalk on blue or gray paper. Instead of using line, he created contours through stumping and built form through gradations of light.
Head of a Woman: Study for “The Happy Mother," 1810, Pierre-Paul Prud"hon. J. Paul Getty Museum.