Ancient World, Antiquities, Behind the Scenes, Getty Villa, Sculpture and Decorative Arts

Installing “Lion Attacking a Horse” at the Getty Villa

The massive sculpture of a Lion Attacking a Horse hasn’t left Rome in over 2,000 years, but it feels right at home sitting in the Atrium of the Getty Villa. The giant marble, on loan through January 2013 as part of a new partnership between the Getty Museum and the civic museums of Rome, has long been an inspiration to artists. Its iconic battle of beasts echoes through centuries of art, from a Roman mosaic of a lion attacking a wild ass to a French tapestry showing a leopard mauling a zebra in Brazil, both pieces found in the Getty’s collection.

No other work, however, matches the size or mass of the original. This video, narrated by Claire Lyons, acting senior curator of antiquities at the Museum, takes you behind the scenes as we move 3.5 tons of Greek art into its temporary home.

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      dominusvenustas:

      Andrea del SartoVarious studies, c.1520’s

      Son of a tailor (sarto). Andrea became one of the best loved artists of Florence. Vasari had good things to say about him.

      …Andrea del Sarto, in whose single person Nature and art showed all that painting can achieve by means of drawing, colouring and invention: and indeed if Andrea had possessed a little more boldness and daring of spirit, to match his very profound judgement and talent as a painter, he would, there is no doubt at all, have been without equal. 

      Browning wrote poems about him:

      Ah, but a man’s reach should exceed his grasp,
      Or what’s a heaven for?

      His drawings are natural, graceful and sensitive, an excellent draughtsman.

      …and he was very much in love with his wife… (something we don’t often hear about Renaissance artists!)

      Our curator Julian Brooks is in Florence now researching del Sarto for an exhibition in 2015.


      05/22/13

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