In the ocean, a crosscurrent runs across the main flow, stirring things up. Similarly, you can see different artistic movements, crossing each other from a variety of directions, in the exhibition Pacific Standard Time: Crosscurrents in L.A. Painting and Sculpture,...
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Where is the line between private and public? Each situation has a different answer—and sometimes many different possible answers. As an example, take this painting by Henri de Toulouse-Lautrec. Lautrec portrays a woman seen from above and behind as...
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A new image archive of L.A. murals has just been made available online. As a Multicultural Undergraduate Intern working at the Getty Conservation Institute (GCI) this summer, I worked with colleagues in Field Projects and the Information Center on...
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As a new school year begins, we’re excited to launch the third season of Art Together, which invites local students and teachers to visit the Getty Center three times over the course of the year. Following last year’s program,...
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George Herms is known for his poetic assemblages of discarded, disheveled materials. But back in the ’60s, he had preoccupations besides art: he was “tapped out”—that is, broke and ready to tap-dance on street corners for cash—and facing eviction....
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I never expected to witness an evening combining British artists Aubrey Beardsley and Thomas Girtin, goth-rocker Marilyn Manson, Ugly Betty, six contemporary American poets, Stonehenge, improvisational bassist Roberto Miranda, William Blake, and the exhumed body of a Pre-Raphaelite model....
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This week, several of my colleagues and I had the pleasure of welcoming to the Getty Villa the Minister of Culture and Tourism for the Hellenic Republic, Pavlos Yeroulanos. The purpose of his visit was to join our President...
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We’re all familiar with the X-rays used to take images of people’s bones and teeth at medical and dental facilities. But did you know this same technology can also be used to examine the internal structures of museum objects?...
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Jim Druzik is obsessed with light. More particularly, he’s concerned with the destructive power of light on priceless museum treasures, and it’s his pioneering work in conservation and preservation that could protect great works of art. Jim, a senior...
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Bridging the visions of Le Corbusier and Lucien Hervé.
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One of the most exciting aspects of curatorial work is the privilege of bringing you great works of art that were rarely seen before their acquisition by the museum. Case in point: the Stammheim Missal, one of the greatest...
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One of the most influential sculptors active in Los Angeles in the 1960s and 1970s, De Wain Valentine is perhaps best known for his striking, semitransparent, and delicately colored large-scale polyester resin sculptures of simple geometric forms that interact...
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