careers

Posted in Art, Exhibitions and Installations, Getty Research Institute

The Rise and Fall of Charles Le Brun: Q&A with Louis Marchesano

louis_marchesano_2

I talked to Louis Marchesano, curator of prints and drawings at the Getty Research Institute, about the exhibition Printing the Grand Manner: Charles Le Brun and Monumental Prints in the Age of Louis XIV, now on view at the GRI—how… More»

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Posted in Behind the Scenes, Education, Getty Foundation

Multicultural Undergraduate Interns Gather for an Arts Summit

Talking over lunch at the MUI Program Arts Summit
Talking over lunch at the MUI Program Arts Summit

June 28th was an unusual Monday for me as an intern at the Getty Foundation. Instead of heading toward the Foundation offices as I would on a typical work day, I reported to the Harold M. Williams Auditorium at the… More»

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Posted in Behind the Scenes, Exhibitions and Installations, Getty Villa

Career Profile: Marcus Adams, Antiquities Preparator

marcus_adams

This is the second in our series of Q&As on arts careers. We return from conservation in the field to discuss the behind-the-scenes work of a preparator. What do you do at the Getty? I’m a preparator—I set up and… More»

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Posted in Behind the Scenes, Getty Conservation Institute

Career Profile: Rand Eppich, Field Projects Manager

rand_eppich

This is the first in a series on the Iris about interesting and unusual arts careers. We begin with Rand Eppich of the Getty Conservation Institute, who has combined his skills in architecture, photography, technology, and teaching into a unique… More»

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Posted in Education, Getty Villa

Museum Educators Get Creative with Focus Tours

Gallery teacher Amber Wells leads a discussion in the Athletes and Competition gallery at the Getty Villa.

Three o’clock is a good time to be at the Getty Villa. Depending on the time of year, the afternoon light might be streaming through the haze over the Inner Peristyle, a cool fog might be blowing in over the… More»

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Posted in Behind the Scenes, Conservation, Education, Getty Conservation Institute, Getty Villa

What’s Simmering in That Beaker? Understanding Ancient Technology by Manufacturing Pigments

Elizabeth Drolet filters mixtures of dye extracted from madder roots with different inorganic materials, such as alum, lye or chalk. The different inorganic materials used produce different shades of red.
Elizabeth Drolet filters mixtures of dye extracted from madder roots with different inorganic materials, such as alum, lye or chalk. The different inorganic materials used produce different shades of red.

Powdered saffron, simmering roots, crushed leaves…no, it’s not what’s cooking in the kitchen, but what’s been cooking at the Getty Villa this quarter for the UCLA/Getty Master’s Program in the Conservation of Archaeological and Ethnographic Materials. As part of a… More»

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Posted in Antiquities, Behind the Scenes, Exhibitions and Installations, Getty Villa

Curating The Aztec Pantheon

Tzitzimitl (Demon), Aztec, 1440–69, found near the Templo Mayor, Mexico City. Terracotta, stucco, and pigment, 176 x 80 x 50 cm. Museo del Templo Mayor, Mexico City. CONACULTA-INAH-MEX © foto zabé. Reproduction authorized by the National Institute of Anthropology and History
Tzitzimitl (Demon), Aztec, 1440–69, found near the Templo Mayor, Mexico City. Terracotta, stucco, and pigment, 176 x 80 x 50 cm. Museo del Templo Mayor, Mexico City. CONACULTA-INAH-MEX © foto zabé. Reproduction authorized by the National Institute of Anthropology and History

The premise of The Aztec Pantheon and the Art of Empire is a unique one: that just as classical antiquity colored Spanish perceptions of Mesoamerica, the experience of Aztec civilization piqued curiosity about Renaissance Europe’s own ancient heritage. As curators,… More»

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Posted in Antiquities, Behind the Scenes, Conservation, Exhibitions and Installations, Getty Villa

How Do You Move an Aztec Deity? Very Carefully!

Installing The Aztec Pantheon and the Art of Empire

Objects you see in the galleries at the Getty Villa, whether monumental or miniature, weighing a few ounces or several tons, all require careful and complicated work to install. As a conservation mount maker, I’ve just finished working with my… More»

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Posted in Behind the Scenes, Exhibitions and Installations, J. Paul Getty Museum, Sculpture and Decorative Arts

The Thrills (and Terrors) of Installing an Exhibition

Installing Leonardo and the Art of Sculpture
Chain in hand, I help out during the heavy lifting.

Wednesday, March 17, 9:50 a.m. That’s it. I’ve just walked the last courier to the South Gate shuttle point and said good-bye, and am going back to the museum. There’s a delicious smell coming from the wisteria, and the sky… More»

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      losangelespast:

      Echo Park in 1895: Snow-capped peaks in the distance and rolling countryside all around


      06/18/13

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