I talked to Louis Marchesano, curator of prints and drawings at the Getty Research Institute, about the exhibition Printing the Grand Manner: Charles Le Brun and Monumental Prints in the Age of Louis XIV, now on view at the GRI—how… More»
careers
The Rise and Fall of Charles Le Brun: Q&A with Louis Marchesano
Multicultural Undergraduate Interns Gather for an Arts Summit
June 28th was an unusual Monday for me as an intern at the Getty Foundation. Instead of heading toward the Foundation offices as I would on a typical work day, I reported to the Harold M. Williams Auditorium at the… More»
Career Profile: Marcus Adams, Antiquities Preparator
This is the second in our series of Q&As on arts careers. We return from conservation in the field to discuss the behind-the-scenes work of a preparator. What do you do at the Getty? I’m a preparator—I set up and… More»
Career Profile: Rand Eppich, Field Projects Manager
This is the first in a series on the Iris about interesting and unusual arts careers. We begin with Rand Eppich of the Getty Conservation Institute, who has combined his skills in architecture, photography, technology, and teaching into a unique… More»
Museum Educators Get Creative with Focus Tours
Three o’clock is a good time to be at the Getty Villa. Depending on the time of year, the afternoon light might be streaming through the haze over the Inner Peristyle, a cool fog might be blowing in over the… More»
What’s Simmering in That Beaker? Understanding Ancient Technology by Manufacturing Pigments

Powdered saffron, simmering roots, crushed leaves…no, it’s not what’s cooking in the kitchen, but what’s been cooking at the Getty Villa this quarter for the UCLA/Getty Master’s Program in the Conservation of Archaeological and Ethnographic Materials. As part of a… More»
Curating The Aztec Pantheon

The premise of The Aztec Pantheon and the Art of Empire is a unique one: that just as classical antiquity colored Spanish perceptions of Mesoamerica, the experience of Aztec civilization piqued curiosity about Renaissance Europe’s own ancient heritage. As curators,… More»
How Do You Move an Aztec Deity? Very Carefully!
Objects you see in the galleries at the Getty Villa, whether monumental or miniature, weighing a few ounces or several tons, all require careful and complicated work to install. As a conservation mount maker, I’ve just finished working with my… More»
The Thrills (and Terrors) of Installing an Exhibition
Wednesday, March 17, 9:50 a.m. That’s it. I’ve just walked the last courier to the South Gate shuttle point and said good-bye, and am going back to the museum. There’s a delicious smell coming from the wisteria, and the sky… More»








