curators

Posted in Art, Exhibitions and Installations

A Tale of Two Beths

Christ and a Monk and Two Shepherds in a Franco-Flemish bestiary made about 1270. This page is on view in the exhibition Illuminated Manuscripts from Belgium and the Netherlands through February 6.

When you write novels for a living, as I do, you get used to making things up—places, plots, people. What you don’t expect is to hear back from one of those characters you’ve cooked up out of thin air. Imagine the… More»

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Posted in Behind the Scenes, Getty Center, J. Paul Getty Museum, Paintings

A Curator Undercover at the Museum Info Desk

Hans Hoffmann's A Hare in the Forest is curved because its wooden support has warped with time.

As the Getty Museum’s senior curator of paintings, I feel it is incumbent on me to walk through the galleries almost every day, speaking with the security officers and other staff and watching how the public looks at the collections…. More»

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Posted in Behind the Scenes, Exhibitions and Installations, Prints and Drawings, Sculpture and Decorative Arts

Seven Things I Learned from “Leonardo da Vinci and the Art of Sculpture”

Banners for Leonardo da Vinci and the Art of Sculpture: Inspiration and Invention at the Getty Center

Now that the Leonardo exhibition has closed, as co-curator—along with Anne-Lise Desmas, associate curator in the Department of Sculpture and the Decorative Arts—I can take stock of some of the things I’ve learned. I’m sad to see the exhibition go,… More»

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      I do not like crooked, twisted, blasted trees. I admire them much more if they are tall, straight, and flourishing. I do not like ruined, tattered cottages. I am not fond of nettles or thistles, or heath blossoms. I have more pleasure in a snug farm-house than a watch-tower—and a troop of tidy, happy villages please me better than the finest banditti in the world.”

      Marianne looked with amazement at Edward, with compassion at her sister. Elinor only laughed.

      —Jane Austen’s Sense and Sensibility, published on October 30, 1811

      Wooded Landscape by Paulus Lieder and Landscape with a Bare Tree and a Ploughman by Leon Bonvin, The J. Paul Getty Museum; Fantastic Oak Tree in the Woods, Carl Wilhelm Kolbe the Elder, The Getty Research Institute

      10/30/14

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