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Posted in Behind the Scenes, J. Paul Getty Museum, Paintings

Audio: Gallery Talk on Turner’s “Modern Rome”

Modern Rome–Campo Vaccino, Joseph Mallord William Turner (English, 1775–1851), 1839. Oil on canvas, 36 1/8 x 48 1/4 in. (unframed), 48 1/4 x 60 3/8 x 4 3/8 in. (framed). The J. Paul Getty Museum, 2011.6
Modern Rome–Campo Vaccino, Joseph Mallord William Turner (English, 1775–1851), 1839. Oil on canvas, 36 1/8 x 48 1/4 in. (unframed), 48 1/4 x 60 3/8 x 4 3/8 in. (framed). The J. Paul Getty Museum, 2011.6

Emily Beeny of the Museum’s paintings department recently gave a gallery talk for eager Getty staff to acquaint us with the Museum’s new painting by J.M.W. Turner, whose arrival and installation we posted about on Friday. We invite you to… More»

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Posted in Art, Exhibitions and Installations

A Tale of Two Beths

Christ and a Monk and Two Shepherds in a Franco-Flemish bestiary made about 1270. This page is on view in the exhibition Illuminated Manuscripts from Belgium and the Netherlands through February 6.

When you write novels for a living, as I do, you get used to making things up—places, plots, people. What you don’t expect is to hear back from one of those characters you’ve cooked up out of thin air. Imagine the… More»

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Posted in Behind the Scenes, Getty Center, J. Paul Getty Museum, Paintings

A Curator Undercover at the Museum Info Desk

Hans Hoffmann's A Hare in the Forest is curved because its wooden support has warped with time.

As the Getty Museum’s senior curator of paintings, I feel it is incumbent on me to walk through the galleries almost every day, speaking with the security officers and other staff and watching how the public looks at the collections…. More»

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Posted in Behind the Scenes, Exhibitions and Installations, Prints and Drawings, Sculpture and Decorative Arts

Seven Things I Learned from “Leonardo da Vinci and the Art of Sculpture”

Banners for Leonardo da Vinci and the Art of Sculpture: Inspiration and Invention at the Getty Center

Now that the Leonardo exhibition has closed, as co-curator—along with Anne-Lise Desmas, associate curator in the Department of Sculpture and the Decorative Arts—I can take stock of some of the things I’ve learned. I’m sad to see the exhibition go,… More»

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      On this day in 1910, the Mexican Revolution began.

      This postcard of Pancho Villa, known as “el centauro del norte” or centaur of the north, was widely circulated during his rise to fame as a dominant revolutionary force in northern Mexico.

      General Francisco (Pancho) Villa, D. W. Hoffman, ca. 1912. Gelatin silver photographic postcard. The Getty Research Institute, 89.R.46 

      11/20/14

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