French art

Posted in Art, Education, J. Paul Getty Museum, Paintings

Question of the Week: Where Is the Line between Private and Public?

The Model Resting / Henri de Toulouse-Lautrec

Where is the line between private and public? Each situation has a different answer—and sometimes many different possible answers. As an example, take this painting by Henri de Toulouse-Lautrec. Lautrec portrays a woman seen from above and behind as she… More»

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Posted in Art, Exhibitions and Installations, J. Paul Getty Museum, Manuscripts and Books

Tights, A Medieval Fashion Faux Pas, Return!

The Competition in Sittacene and the Placating of Sisigambis / Attributed to the Master of the Jardin de vertueuse consolation

For over a year now, a fashion trend from medieval Europe—once reserved for men of elite social standing—has been resurrected and adopted by women, causing some fashionistas to cringe. Tights are back. In mid-15th-century England, a law restricted the wearing… More»

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Posted in Art, Exhibitions and Installations, J. Paul Getty Museum, Sculpture and Decorative Arts

Clocks and Globes – How Prosperous Parisians in the 18th Century Navigated Their Day (with Bonus Ringtone)

Installation view of Paris: Life & Luxury at the J. Paul Getty Museum at the Getty Center
Installation view of Paris: Life & Luxury at the Getty Center

Enter Paris: Life & Luxury, closing this Sunday, and you’ll hear chimes pinging through the galleries from extravagant clocks that French aristocrats used to mark time more than two centuries ago. Download (MP3 file, 5 MB) | Length: 5:24 The… More»

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Posted in Exhibitions and Installations, J. Paul Getty Museum, Paintings, Sculpture and Decorative Arts

Power Breakfast Inspired by a King: The 18th-Century Toilette

The Milliner / Francois Boucher

When posh Parisians in the mid-18th century greeted the day, their morning ritual wasn’t anything like our hasty shower, breakfast, and dash out the door. Their toilette, or ritual of rising and dressing, was an hours-long activity of luxurious pampering,… More»

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Posted in Exhibitions and Installations, J. Paul Getty Museum, Sculpture and Decorative Arts

Paris Gamblers: Gaming in 18th-Century France

Interior with Card Players, Pierre-Louis Dumesnil, about 1752. The Metropolitan Museum of Art, Bequest of Harry G. Sperling, 1971 (1976.100.8) TMS Creditline Repro: 	   	Image copyright © The Metropolitan Museum of Art / Art Resource, NY

Players of backgammon, bridge, and bingo might feel a keen camaraderie with the prosperous Parisians of the 1700s whose sumptuous world is brought to life in the current exhibition Paris: Life & Luxury. The well-coiffed elite of the time relished… More»

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Posted in Art, Prints and Drawings

Honoré Daumier: Still Relevant after 150 Years

The French judicial system on trial: A Criminal Case, Honoré Daumier, 1865. The J. Paul Getty Museum, 89.GA.33

Years ago I found myself in the Metropolitan Museum of Art with a posse of 15 finance geeks in tow, enjoying respite from a college trip to study financial institutions on Wall Street. Being the only art nerd amongst the… More»

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Posted in Art, Education, J. Paul Getty Museum

Question of the Week: Demure or Coquettish? Revealing or Concealing?

Bust of Madame Recamier, Joseph Chinard, about 1801–1802. Terracotta, 24 7/8 in. high. The J. Paul Getty Museum, 88.SC.42

Can an artist do justice to a beautiful woman? This sensuous terracotta bust by Joseph Chinard captures the elegance and grace of legendary beauty Juliette Récamier, a socialite renowned for her wit and notorious for her love affairs. Holding a… More»

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Posted in Antiquities, Exhibitions and Installations, J. Paul Getty Museum, Manuscripts and Books

A Lasting War: Representing Troy in Ancient Greece and Medieval Europe

The Construction and Destruction of Troy, Orosius Master, Paris, 1405-6. In City of God (Cité de Dieu; original text in Latin); Saint Augustine, author; Raoul de Presles, translator. The Philip S. Collins Collection, gift of Mrs. Philip S. Collins in memory of her husband, 1945. Philadelphia Museum of Art, Philadelphia, Pennsylvania, Ms. 1945.65.1, fol. 66v

For when one sees a story illustrated, whether of Troy or something else, he sees the actions of the worthy men that lived in those times, just as though they were present.    —Richard de Fournival, Bestiare d’amours, ca. 1250 The… More»

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Posted in Art, Education, J. Paul Getty Museum, Paintings

Question of the Week: Is the Viewer Part of an Artwork?

Entrance to the Jardin Turc, Louis-Léopold Boilly, 1812. Oil on canvas, 28 7/8 x 35 7/8 in.

More than 60 people sit, chat, and play in this elaborate composition outside the entrance to the Jardin Turc, or Turkish Garden Café, in early-1800s Paris. The café was known for its spacious gardens, exotic pavilions, and excellent ice cream,… More»

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Posted in Education, Exhibitions and Installations, J. Paul Getty Museum, Manuscripts and Books

Imagining the Culinary Past in France: Recipes for a Medieval Feast

The Performance of a Crusade Play at King Charles V's Feast (detail), Master of the Coronation of Charles VI, Paris, about 1375–80. From Great Chronicles of France (Grandes chroniques de France). Bibliothèque nationale de France, Paris. Ms. fr. 2813, fol. 473v

In the French Middle Ages, as today, banquets were opportunities for the well-heeled to entertain guests in style. The set-up was simple: boards placed on trestles topped with white cloths, wine diluted with water in clay vessels, meats on five-day-old… More»

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      dominusvenustas:

      Andrea del SartoVarious studies, c.1520’s

      Son of a tailor (sarto). Andrea became one of the best loved artists of Florence. Vasari had good things to say about him.

      …Andrea del Sarto, in whose single person Nature and art showed all that painting can achieve by means of drawing, colouring and invention: and indeed if Andrea had possessed a little more boldness and daring of spirit, to match his very profound judgement and talent as a painter, he would, there is no doubt at all, have been without equal. 

      Browning wrote poems about him:

      Ah, but a man’s reach should exceed his grasp,
      Or what’s a heaven for?

      His drawings are natural, graceful and sensitive, an excellent draughtsman.

      …and he was very much in love with his wife… (something we don’t often hear about Renaissance artists!)

      Our curator Julian Brooks is in Florence now researching del Sarto for an exhibition in 2015.


      05/22/13

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