German art

Posted in Getty Research Institute, Publications, Research

New Online Resource to Reveal Stories about Nazi-Looted Art, Wartime Art Market

Paintings in storage at the Munich Central Collecting Point / Johannes Felbermeyer
Paintings in storage at the Munich Central Collecting Point, ca. 1945–49, Johannes Felbermeyer. This was one of several sites used by the Allies to identify, photograph, and restitute Nazi-seized artworks after the war. Photo Study Collection. The Getty Research Institute, 89.P.4

Featuring over 2,000 newly digitized catalogs, a new database will revolutionize Nazi-era art research. More»

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Posted in Art, Exhibitions and Installations, J. Paul Getty Museum, Photographs, Film, and Video

All in the Family: Lyonel Feininger, His Sons, and Photography

Bauhaus / Lyonel Feininger, March 22, 1929

Many know Lyonel Feininger as an accomplished painter, printmaker, and caricaturist whose work is forever linked to the Bauhaus movement. He was Walter Gropius’s first faculty appointment to the Weimar art school in 1919, and he helped shape an artistic… More»

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Posted in Exhibitions and Installations, J. Paul Getty Museum, Photographs, Film, and Video

Lyonel Feininger’s Photographic Vision

Moholy's Studio Window around 10 p.m. / Lyonel Feininger

In the 1920s, Lyonel Feininger was one of Germany’s best-known artists. He painted, drew, and made prints; he sketched caricatures and composed music; he even created a miniature city that would presage stop-motion animation. But in 1928, at age 58,… More»

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Posted in Art, Exhibitions and Installations, J. Paul Getty Museum, Prints and Drawings

The Nazarenes: German Artists Illuminating the Spirit of the Age

The Coronation of Charlemagne, Julius Schnorr von Carolsfeld, 1840. Brown ink over graphite on paper. The J. Paul Getty Museum, 2009.5

In the emerald-green galleries of the exhibition Spirit of an Age: Drawings from the Germanic World, I was drawn to a cluster of quiet drawings that convey beautiful stories: miraculous healings, heroic quests of medieval knights, momentous coronations. These are… More»

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Posted in Art, J. Paul Getty Museum, Sculpture and Decorative Arts

In Search of Messerschmidt’s “Vexed Man”

The Vexed Man, Franz Xaver Messerschmidt, 1771–83. Alabaster, 16 9/16 in. high

New for summer 2012—The Vexed Man is back at the Getty, but he’s moved from his usual haunts for the exhibition Messerschmidt and Modernity, July 24–October 13, 2012. The show brings together several of Messerschmidt’s Character Heads, including the excellently… More»

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Posted in Art, J. Paul Getty Museum, Sculpture and Decorative Arts

Cabinet of Wonders

cabinet

The Augsburg Display Cabinet—the Getty Museum’s 17th-century “cabinet of curiosities” on display starting tomorrow in our New Galleries for Medieval and Renaissance Sculpture and Decorative Arts—is both a work of art and an early prototype of museums. With dozens of… More»

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      dominusvenustas:

      Andrea del SartoVarious studies, c.1520’s

      Son of a tailor (sarto). Andrea became one of the best loved artists of Florence. Vasari had good things to say about him.

      …Andrea del Sarto, in whose single person Nature and art showed all that painting can achieve by means of drawing, colouring and invention: and indeed if Andrea had possessed a little more boldness and daring of spirit, to match his very profound judgement and talent as a painter, he would, there is no doubt at all, have been without equal. 

      Browning wrote poems about him:

      Ah, but a man’s reach should exceed his grasp,
      Or what’s a heaven for?

      His drawings are natural, graceful and sensitive, an excellent draughtsman.

      …and he was very much in love with his wife… (something we don’t often hear about Renaissance artists!)

      Our curator Julian Brooks is in Florence now researching del Sarto for an exhibition in 2015.


      05/22/13

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