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Posted in Art, Photographs, Film, and Video

A New Walled Order?

Graffiti on the Berlin Wall reading, the world's too small for walls
Photo: Alexandra Novosseloff

Walls don’t work. So why do we keep building them? More»

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Posted in Art, Education, J. Paul Getty Museum

How Should We Remember the Berlin Wall?

Memorial for the 25th anniversary of the fall of the Berlin Wall in a shopping mall
Photo: Christof Zwiener

“We believe that celebrations and congratulatory moments must give way to more creative engagement.” More»

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Posted in J. Paul Getty Museum, Manuscripts and Books

Delightfully Horrifying Manuscript Illuminations

Halloween5

Selections from the collection for Halloween. More»

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Posted in Art, J. Paul Getty Museum, Sculpture and Decorative Arts

Three Reasons to Love Marie-Antoinette

Color print of Queen Marie-Antoinette
Queen Marie-Antoinette, about 1789, Pierre-Michel Alix after Elisabeth-Louise Vigée Le Brun. Etching and wash manner, printed in blue, red, yellow, and black inks, 9 3/16 x 7 1/16 in. The National Gallery of Art, Widener Collection, 1942.9.2430. Image courtesy National Gallery of Art, Washington

Before her ill-fated end, Marie-Antoinette was a peerless patron of the decorative arts. More»

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Posted in Ancient World, Getty Villa, J. Paul Getty Museum

A Guide to Aeschylus’s “Persians”

Ellen Lauren as Persian Queen Atossa against a backdrop of golden drapery
Play in progress: Ellen Lauren as Persian Queen Atossa against a backdrop of golden drapery. Photo: Sara Radamacher

A theater-goer’s guide to the western world’s oldest play. More»

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Posted in Education, Getty Villa

What Did the Byzantine Empire Smell Like?

Bottles of aromatics at a recent Getty Villa workshop
Byzantium in a bottle (or two)

Visit medieval Constantinople through perfume you can make yourself. More»

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Posted in Ancient World, Antiquities

Beware the Ides of March

Beware the Ides of March / Julius Caesar
Consult a good soothsayer before heading out this weekend. Artwork: Portrait of Julius Caesar (detail) from the Forum of Trajan, Rome. National Archaeological Museum, Naples, Inv. 6038. Photo: S. Sosnovskiy, 2008

If the sacrificial liver looks bad, stay home…and other soothsaying wisdom from ancient Rome. More»

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Posted in Ancient World, Antiquities, Exhibitions and Installations, J. Paul Getty Museum

Has History Got Roman Emperor Tiberius All Wrong?

Tiberius at the Getty Villa

Outrageous criminal or misunderstood victim? A new exhibition finds the man behind the scandal. More»

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Posted in Art, J. Paul Getty Museum, Research

The Monuments Men and the Race to Save Masterpieces, A Q&A with Robert Edsel

Robert Edsel
Robert Edsel

“What makes a man risk his life to save someone else’s life, much less a work of art?” More»

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Posted in Art, Behind the Scenes, Exhibitions and Installations, Prints and Drawings, Voices

Getty Voices: Looking East, Looking West

Stephanie and I (seated, far right) with colleagues at the National Museum of Korea, Seoul, in November 2011. Back row, standing: left to right: Lee Jae-jeong, Moon Dong Soo, Min Kil-hong. Front row, seated, left to right: Lee Won Bok, Burglind Jungmann, Stephanie Schrader, Jessie Park
Stephanie and I (seated, far right) with colleagues at the National Museum of Korea, Seoul, in November 2011. Back row, standing: left to right: Lee Jae-jeong, Moon Dong Soo, Min Kil-hong. Front row, seated, left to right: Lee Won Bok, Burglind Jungmann, Stephanie Schrader, Jessie Park

“Looking East” established a platform for international dialogue around art, history, and cultural exchange. More»

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      What did death mean in Ancient life?

      An exhibition that looks at death and funerary practice through thirteen elaborate Apulian vases from Southern Italy now on view in Dangerous Perfection: Funerary Vases from Southern Italy!

      Funerary Vessel , South Italian, from Apulia, 340-310 B.C., terracotta red-figured volute krater< attributed to the Phrixos Group. Image © Staatliche Museen zu Berlin, Antikensammlung. Photo: Johannes Laurentius

      Funerary Vessel, South Italian, from Apulia, 350-325 B.C., terracotta red figured amphora attributed to the Darius Painter (the Hecuba Sub-Group).Image © Staatliche Museen zu Berlin, Antikensammlung. Photo: Johannes Laurentius

      11/22/14

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