Italian art

Posted in Art, Art & Archives, Conservation, Editor's Picks, J. Paul Getty Museum, Series

An Italian Masterpiece Visits the Getty for Conservation and Study

Getty art handlers place Guercino's Jacob Blessing the Sons of Joseph on an easel.
Getty art handlers place Guercino's Jacob Blessing the Sons of Joseph on an easel.

A collaborative conservation project begins between the Getty and the National Gallery of Ireland More»

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Posted in Art, Art & Archives, J. Paul Getty Museum, Scholarship, technology

The Metamorphoses of Danaë: From Venal to Virtuous to Voluptuous Woman

Danae / Gentileschi
Danaë, 1621–23, Orazio Gentileschi. Oil on canvas, 63 5/8 x 89 1/4 in. The J. Paul Getty Museum, 2016.6. Photo courtesy of Sotheby's

Modest maiden or lascivious lover? More»

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Posted in Art & Archives, Exhibitions and Installations, J. Paul Getty Museum, Prints and Drawings

A Smartly Costumed Soldier and His Fierce Cat

An Azappo Archer with a Cheetah
An Azappo Archer with a Cheetah, about 1575, Jacopo Ligozzi. Brush, pen and brown ink, tempera colors, and painted gold, 11 1/16 x 8 3/4 in. The J. Paul Getty Museum, 91.GG.53

An extraordinary portrait of a Turkish soldier and his feline sidekick. More»

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Posted in Art & Archives, Editor's Picks, J. Paul Getty Museum, Manuscripts and Books

The Rise and Fall of a Court Artist in Renaissance Italy

Initial A: Young Christ Blessing (detail) from Antiphonal P of San Giorgio Maggiore, Belbello da Pavia, about 1467-1470. The J. Paul Getty Museum, Ms. 96, verso
Initial A: Young Christ Blessing (detail) from Antiphonal P of San Giorgio Maggiore, Belbello da Pavia, about 1467-1470. The J. Paul Getty Museum, Ms. 96, verso

The unusual life tale of Renaissance illuminator Belbello da Pavia More»

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Posted in Art & Archives, Exhibitions and Installations, J. Paul Getty Museum, Manuscripts and Books

Parallel Exhibitions on Renaissance Courts

Initial L: The Nativity, Master B. F., about 1542–45. Archivio Storico Civico e Biblioteca Trivulziana, Milan
Corale A, fol. 33 (© Comune di Milano. All rights reserved.)
Initial L: The Nativity, Master B. F., about 1542–45. Archivio Storico Civico e Biblioteca Trivulziana, Milan Corale A, fol. 33 (© Comune di Milano. All rights reserved.)

Los Angeles and Milan host parallel exhibitions of illuminated manuscripts. More»

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Posted in Art & Archives, J. Paul Getty Museum, Paintings

Meet the Getty Museum’s New Senior Curator of Paintings, Davide Gasparotto

Davide Gasparotto, senior curator of paintings, Getty Museum

Say hello to the Getty Museum’s new paintings chief. More»

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Posted in Art, Art & Archives, J. Paul Getty Museum, Manuscripts and Books

Sicily, The International Island

The Crucifixion and the Harrowing of Hell / Sicilian
The Crucifixion and the Harrowing of Hell in a New Testament, Sicilian, late 1100s. Tempera colors, gold leaf, and ink on parchment, 9 11/16 x 6 3/8 in. The J. Paul Getty Museum, Ms. Ludwig I 5, fol. 191v

Medieval Sicily was a hotbed of political turmoil and artistic innovation. More»

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Posted in Art & Archives, Behind the Scenes, Manuscripts and Books, Scholarship, technology, Voices

Creating “Getty Scholars’ Workspace”: Lessons from the Digital Humanities Trenches

mellini_featured

Getty Scholars’ Workspace, an online collaborative working environment, is taking shape at the Getty Research Institute. Lessons from the pilot project. More»

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Posted in Art, Art & Archives, Conservation, Getty Conservation Institute, Manuscripts and Books, Paintings

What Do Rocks Have to Do with Renaissance Art?

jerome_azurite_featured

Why the manuscript illuminations in Florence at the Dawn of the Renaissance really rock. More»

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Posted in Art & Archives, Exhibitions and Installations, J. Paul Getty Museum

Actor Peter Weller Discusses Renaissance Florence (and Answers Your Questions!)

Peter Weller in Padua
Actor Peter Weller in Padua, Italy

Actor and director Peter Weller is known for his many film and television roles, most famously Robocop in Paul Verhoeven’s campy classic. However, Weller’s interests go far beyond the camera—he is a scholar of Italian Renaissance art who is completing… More»

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      Composed from memories and from drawings made during his travels in Italy, Jean-Baptiste-Camille Corot painted this view for the Paris Salon of 1839. A dramatic colored sky and a few lone figures appealed to the melancholic sensibilities of the Romantic critics of the time.

      05/01/16

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