J.M.W. Turner

Posted in Art, J. Paul Getty Museum, Paintings

J.M.W. Turner Exhibition Open till 9pm on Its Final Day

Installation view of J.M.W. Turner: Painting Set Free at the Getty Center
Inside the exhibition at the Getty. More photos on Flickr

Last chance! Exhibition of J.M.W. Turner to remain open late on Sunday, May 24. More»

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Posted in Art, Behind the Scenes, Paintings

J. M. W. Turner, Now for iPad

iPad sketch by Elke Reva Sudin inspired by J. M. W. Turner’s Blue Rigi—Sunrise
Courtesy of and © Elke Reva Sudin

An artist interprets old master paintings with pixels and stylus. More»

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Posted in Exhibitions and Installations, J. Paul Getty Museum, Paintings

“The Sun Is God”: JMW Turner in Los Angeles

Norham Castle, Sunrise / JMW Turner
Tate: Accepted by the nation as part of the Turner Bequest 1856. Photo © Tate, London 2014

J. M. W. Turner would have felt right at home in Los Angeles. More»

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Posted in Art, Exhibitions and Installations

Mike Leigh’s “Mr. Turner” Shows Art as Hard Work

Timothy Spall as J. M. W. Turner / Still from Mr. Turner
Photo by Simon Mein, Courtesy of Sony Pictures Classics

“Leigh’s Mr. Turner is a gentleman by social position, but he’s also a brute laborer, with paint-spattered hands.” More»

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Posted in Art, J. Paul Getty Museum, Paintings

Question of the Week: When Are Memories More Vivid Than Life Itself?

Details of the Arch of Severus and the Temple of Vespasian from J. M. W. Turner's Modern Rome - Campo Vaccino

Do you have memories that feel more real than your life today? British painter J. M. W. Turner did, and they are the subject of this painting. The year is 1839. Turner, now in his 60s, has not set foot… More»

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Posted in Behind the Scenes, J. Paul Getty Museum, Paintings

Audio: Gallery Talk on Turner’s “Modern Rome”

Modern Rome–Campo Vaccino, Joseph Mallord William Turner (English, 1775–1851), 1839. Oil on canvas, 36 1/8 x 48 1/4 in. (unframed), 48 1/4 x 60 3/8 x 4 3/8 in. (framed). The J. Paul Getty Museum, 2011.6
Modern Rome–Campo Vaccino, Joseph Mallord William Turner (English, 1775–1851), 1839. Oil on canvas, 36 1/8 x 48 1/4 in. (unframed), 48 1/4 x 60 3/8 x 4 3/8 in. (framed). The J. Paul Getty Museum, 2011.6

Emily Beeny of the Museum’s paintings department recently gave a gallery talk for eager Getty staff to acquaint us with the Museum’s new painting by J.M.W. Turner, whose arrival and installation we posted about on Friday. We invite you to… More»

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Posted in Art, Behind the Scenes, Conservation, Exhibitions and Installations, Paintings

Behind the Scenes with J.M.W. Turner’s “Modern Rome”

framing_a_masterpiece

How long does it take to install a painting in the Museum, from loading dock to gallery wall? For J.M.W. Turner’s Modern Rome—Campo Vaccino, the answer is seven days: really busy days, with lots of people working together to make… More»

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Posted in Art, Behind the Scenes, J. Paul Getty Museum, Paintings

Labeling Turner

Modern Rome–Campo Vaccino, Joseph Mallord William Turner (English, 1775–1851), 1839. Oil on canvas, 36 1/8 x 48 1/4 in. (unframed), 48 1/4 x 60 3/8 x 4 3/8 in. (framed). The J. Paul Getty Museum, 2011.6

Writing the gallery label for a painting can sometimes feel like an art form in itself, a kind of circumscribed descriptive poetry not unrelated to haiku. How, in fewer than 100 words, do you capture the essence of an object,… More»

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      What is sunrise like at the Getty?

      “The fog was so thick we couldn’t see the sunrise when it came at 5:47am PT. There was no gong, no fanfare. Many of us were oblivious, engrossed in conversations with old friends or new acquaintances, awkwardly touching each other as per Ono’s instructions, or contemplating the obscured landscape. I looked at my companions, asking them “Was that it? Did we miss it?” That was it, but we hadn’t missed it at all.

      Piece by hyperallergic‘s Matt Stromberg. Read in full here.

      07/06/15

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