Paris

Posted in Art, Behind the Scenes, J. Paul Getty Museum, Prints and Drawings

Why Is This Drawing in a Museum?

Abstract Lines / Degas
The mysterious drawing in question. Abstract Lines, about 1877, Edgar Degas. J. Paul Getty Museum.

A look inside a sketchbook by Degas reveals the story behind a unusual drawing. More»

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Posted in Art, Sculpture and Decorative Arts

No Beauty Contest: 18th-Century English Lord Curates Getty Museum Gallery

Neoclassical and Roman sculptures at the Getty Center, Gallery W101
A new installation in Gallery W101 at the Getty Center presents 18th-century Neoclassical sculptures alongside two Roman pieces with storied pasts

Two pieces brought out from storage complete the story of the Judgment of Paris in a new installation at the Getty Center. More»

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Posted in Art, Getty Research Institute, Photographs, Film, and Video

The Quotable Man Ray

Datebooks and photographs from the Man Ray materials acquired by the Research Institute

Man Ray’s black and white portraits are widely celebrated, but two recent acquisitions by the Getty Research Institute shift the focus back on the famous photographer, providing a revealing picture of the often private artist. The first acquisition, a compact… More»

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Posted in Exhibitions and Installations, J. Paul Getty Museum

Harvard Historian Robert Darnton on Blogging, 18th-Century Style

Historian Robert Darnton. Copyright © 2010, Brian Smith, Boston

Opening this week at the Getty Center is Paris: Life & Luxury, which traces the refined activities that took place inside a luxurious Parisian town house of the mid-1700s. On the streets outside such a house, however, occurred one activity… More»

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Posted in Art, J. Paul Getty Museum, Paintings

Beyond the First Impression: Rediscovering Monet in Paris

The Portal of Rouen Cathedral in Morning Light, Claude Monet, 1894
The Portal of Rouen Cathedral in Morning Light, Claude Monet, 1894

Though his name has become synonymous with the 19th century’s canonical movement of Impressionism, and though his masterpieces hang proudly in the halls of the world’s finest museums, Claude Monet has long been—for me—a confounding artist. He was one of… More»

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      I do not like crooked, twisted, blasted trees. I admire them much more if they are tall, straight, and flourishing. I do not like ruined, tattered cottages. I am not fond of nettles or thistles, or heath blossoms. I have more pleasure in a snug farm-house than a watch-tower—and a troop of tidy, happy villages please me better than the finest banditti in the world.”

      Marianne looked with amazement at Edward, with compassion at her sister. Elinor only laughed.

      —Jane Austen’s Sense and Sensibility, published on October 30, 1811

      Wooded Landscape by Paulus Lieder and Landscape with a Bare Tree and a Ploughman by Leon Bonvin, The J. Paul Getty Museum; Fantastic Oak Tree in the Woods, Carl Wilhelm Kolbe the Elder, The Getty Research Institute

      10/30/14

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