prints

Posted in Art, Getty Research Institute, Prints and Drawings, Research

“The Everlasting Cycle of Becoming and Fading”: Thomas W. Gaehtgens on Philipp Otto Runge’s “Times of Day”

Detail of Night from the Times of Day suite / Philipp Otto Runge

“Runge’s prints represent far more than merely the times of day. The cycle of the day represents in fact the cycle of life.” More»

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Posted in Art, Getty Research Institute, Prints and Drawings

Philipp Otto Runge’s “Times of Day,” A Monument of German Romantic Art

Detail of the female figure in Evening from the Times of Day suite / Philipp Otto Runge

This remarkable four-print series depicts the coming and departing of light, which points to the cycles of life from conception to death. More»

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Posted in Art, Getty Research Institute, Prints and Drawings

Beware Cupid’s Arrow! French Print Reveals Dangers of Romantic Mix-Ups

Detail of the Exchange of Arrows Between Death and Cupid / Pierre Landry
Unlikely.

It could happen to you: comic mix-ups, near-death encounters, and other tales of accursed romance from French prints at the Getty Research Institute. More»

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Posted in Art, Getty Research Institute, Prints and Drawings

Rare Chinese Battle Prints Come to the Getty Research Institute

Detail of Chinese emperor Qianlong in Pictures of the Campaigns against the Gurkhas / Chinese
Detail of Chinese emperor Qianlong being carried in triumph from the plate above

These amazingly detailed prints depict the successful military campaign of the Qianlong Emperor against Nepalese warriors. More»

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Posted in Art, Getty Research Institute

Poe-Inspired Prints by Ensor Join Research Institute’s Collection

Hop-Frog’s Revenge / James Ensor

Three prints by James Ensor have just joined the collection of the Getty Research Institute. All three were made in the 1890s, when Ensor was at the peak of his creative powers, and all contain the eerie imagery for which… More»

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Posted in Art, Exhibitions and Installations, Getty Research Institute

Buck Teeth and All: True Lies in Early Color Printing

Portrait of Edouard Dagoty, Inventor of Color Printing / Carlo Lasinio

While working on the show The Getty Research Institute: Recent Print Acquisitions (in the GRI Gallery until September 2), I had the pleasure of getting to know one Édouard Gautier-D’Agoty. Every bit the late-18th-century gentleman-artist and rendered in velvety soft… More»

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Posted in Art, Behind the Scenes, Getty Research Institute, J. Paul Getty Museum

Explorations in Darkness and Light: Odilon Redon

Then appears a singular being having a man’s head atop the body of a fish / Odilon Redon

My job as research assistant to Marcia Reed, chief curator at the Getty Research Institute, and Louis Marchesano, curator of prints & drawings, might be described as “research becomes eclectic.” In addition to investigating a wide array of potential acquisitions… More»

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Posted in Art, Exhibitions and Installations, Getty Research Institute

Culture for Your iPad: Wallpapers from the Getty Research Institute’s Print Collection

Detail from Portrait of Edouard Dagoty, Inventor of Color Printing / Carlo Lasinio

A sampling of the 27,000 prints held in the Research Institute’s special collections went on view this Saturday in the new exhibition The Getty Research Institute: Recent Print Acquisitions. It features selections from four centuries of printmaking, from a rare… More»

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Posted in Art, Exhibitions and Installations, Getty Research Institute

The First Modern Catalogue of an Art Collection: Q&A with Curator Louis Marchesano

View of a Room at Pommersfelden Palace / Johann Georg Pintz

In the 1700s, the seeds of a new style of presenting works of art—both on the wall and on the page—were planted by a German prince. I talked with Louis Marchesano, curator of prints and drawings at the Getty Research… More»

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Posted in Art, Exhibitions and Installations, Getty Research Institute

A Gallery Fit for a Prince and Now the Public? The Düsseldorf Gallery and the Modern Museum

View of a Room at Pommersfelden Palace. Johann Georg Pintz, printmaker; Salomon Kleiner, draftsman; in Representation au naturel des chateaux... (Augsburg, 1728), pl. 18. The Getty Research Institute,84-B21917

Most museum galleries have certain things in common. For one, the works are spaced a restful distance apart from one another on the wall. For another, they’re typically organized by school or theme. The focus might be, say, on fashion… More»

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      Eye-to-eye with a devotional painting of Christ.

      This haunting and intimate portrait of Christ is both dramatic and spiritual. Less than a foot high, the panel was made for private use.

      See the full picture here.

       Eye-to-eye connects the peoples of yesterday to you through art.

      10/22/14

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