prints

Posted in Exhibitions and Installations, Getty Research Institute, Prints and Drawings

For Print Collectors, Organizing Is an Art

Equestrian Portrait of Louis XIV / Colin
Equestrian Portrait of Louis XIV, ca. 1672, Jean Colin. Etching and engraving in Monumens de l’histoire de France, tome 66, an album of prints compiled by the print collector Jean-Louis Soulavie. The Getty Research Institute, 900247

How do you organize 123,400 prints? More»

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Posted in Exhibitions and Installations, Getty Research Institute, Prints and Drawings

Louis XIV’s Golden Dome

Facade of the Church of the Invalides / Pierre Lepautre after Jules Hardouin-Mansart
Facade of the Church of the Invalides, 1687, Pierre Lepautre after Jules Hardouin-Mansart. Etching and engraving from a bound volume of 14 prints (Bâtiments du roi, Paris, 1687). The Getty Research Institute, 1392-604

A rare print for the dome of the Invalides in Paris reflects Louis XIV’s ambitions to make Paris “a new European center of architectural magnificence.” More»

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Posted in Art, Exhibitions and Installations, Getty Research Institute

Louis XIV, the Original King of Viral Media

Louis le Grand / Pierre Drevet after Hyacinthe Rigaud
Louis le Grand 1714–1715, Pierre Drevet after Hyacinthe Rigaud. Engraving. The Getty Research Institute, 2011.PR.13

The original tech-savvy celebrity. More»

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Posted in Art, Getty Research Institute, Prints and Drawings

This Just In: The Genius of Lithography

The Genius of Lithography / Nicolas Henri Jacob
The Genius of Lithography, 1819, Nicolas Henri Jacob (French, 1781–1871), lithographer. Lithograph, 19.2 x 16.4 cm (sheet 22 x 18.4 cm). Originally published in Alois Senefelder, L'art de la lithographie (Munich, 1819). The Getty Research Institute, 2014.PR.8

The improbable story of the invention of lithography. More»

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Posted in Art, Getty Research Institute, Prints and Drawings, Research

“The Everlasting Cycle of Becoming and Fading”: Thomas W. Gaehtgens on Philipp Otto Runge’s “Times of Day”

Detail of Night from the Times of Day suite / Philipp Otto Runge

“Runge’s prints represent far more than merely the times of day. The cycle of the day represents in fact the cycle of life.” More»

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Posted in Art, Getty Research Institute, Prints and Drawings

Philipp Otto Runge’s “Times of Day,” A Monument of German Romantic Art

Detail of the female figure in Evening from the Times of Day suite / Philipp Otto Runge

This remarkable four-print series depicts the coming and departing of light, which points to the cycles of life from conception to death. More»

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Posted in Art, Getty Research Institute, Prints and Drawings

Beware Cupid’s Arrow! French Print Reveals Dangers of Romantic Mix-Ups

Detail of the Exchange of Arrows Between Death and Cupid / Pierre Landry
Unlikely.

It could happen to you: comic mix-ups, near-death encounters, and other tales of accursed romance from French prints at the Getty Research Institute. More»

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Posted in Art, Getty Research Institute, Prints and Drawings

Rare Chinese Battle Prints Come to the Getty Research Institute

Detail of Chinese emperor Qianlong in Pictures of the Campaigns against the Gurkhas / Chinese
Detail of Chinese emperor Qianlong being carried in triumph from the plate above

These amazingly detailed prints depict the successful military campaign of the Qianlong Emperor against Nepalese warriors. More»

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Poe-Inspired Prints by Ensor Join Research Institute’s Collection

Hop-Frog’s Revenge / James Ensor

Three prints by James Ensor have just joined the collection of the Getty Research Institute. All three were made in the 1890s, when Ensor was at the peak of his creative powers, and all contain the eerie imagery for which… More»

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Posted in Art, Exhibitions and Installations, Getty Research Institute

Buck Teeth and All: True Lies in Early Color Printing

Portrait of Edouard Dagoty, Inventor of Color Printing / Carlo Lasinio

While working on the show The Getty Research Institute: Recent Print Acquisitions (in the GRI Gallery until September 2), I had the pleasure of getting to know one Édouard Gautier-D’Agoty. Every bit the late-18th-century gentleman-artist and rendered in velvety soft… More»

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      Presidential Death Beds & Independence Day

      Here’s a little history trivia about this special day

      John Adams and Thomas Jefferson, Founding Fathers and the second and third Presidents of the United States, both died on July 4, 1826, on the 50th anniversary of Independence Day. 

      Because of their opposing views on politics as well as their contrasting personalities, the two men were not on friendly terms, and rumor has it that Adams’ last words on his deathbed were “Jefferson survives.” Little did he know that Jefferson had actually died five hours earlier.

      Leaving you with that conversation starter, we hope you celebrate this day with friends and family and feast like the Romans!

      07/04/15

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