war

Posted in Art, Getty Research Institute, Prints and Drawings

A Wartime Apocalypse, in Miniature

Saint John's Vision of the Seven Candlesticks, 1917, Ernst Ludwig Kirchner. Getty Research Institute.
Saint John's Vision of the Seven Candlesticks, 1917, Ernst Ludwig Kirchner. Getty Research Institute.

Tiny, feverish watercolors by Ernst Ludwig Kirchner express the anxious hopes of an entire generation of European artists. More»

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Posted in Art, J. Paul Getty Museum, Photographs, Film, and Video

The Civil War in Pictures

Portrait of a Confederate Soldier/ unknown photographer
Portrait of a Confederate Soldier, about 1862, unknown photographer. Hand-colored ambrotype, 2 9/16 x 2 1/16 in. The J. Paul Getty Museum, 84.XT.818.16

The Civil War captured in early photographs, from young New Yorkers headed to the battlefield to Robert E. Lee one week after the surrender. More»

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Posted in Ancient World, Antiquities, Art, J. Paul Getty Museum, Sculpture and Decorative Arts

“Not Like a Coward”: Remembering a Warrior’s Death

Gravestone of Pollis / Greek
Gravestone of Pollis, Greek, made in Megara, about 480 B.C. Marble, 60 1/4 in. high. The J. Paul Getty Museum, 90.AA.129

The intimate association between being remembered and risking one’s life on the battlefield lies at the heart of Homer’s Iliad. The preeminent warrior Achilles famously chose to die young in battle and be forever honored, and this heroic code is well… More»

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Posted in Ancient World, Antiquities, Getty Villa, J. Paul Getty Museum

Mortals Pay Homage to Homer’s “Iliad,” Epic of Gods and War

A Homeric omen: A Greek wine Cup featuring a scene of an eagle battling a snake, made about 530 B.C.

Mighty sieges and human follies. The bravado of warriors and the rages and schemes of gods. The Iliad, one of the best-told epics of all time, will be heard aloud again when some 150 volunteer readers recite the ancient Greek… More»

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      I do not like crooked, twisted, blasted trees. I admire them much more if they are tall, straight, and flourishing. I do not like ruined, tattered cottages. I am not fond of nettles or thistles, or heath blossoms. I have more pleasure in a snug farm-house than a watch-tower—and a troop of tidy, happy villages please me better than the finest banditti in the world.”

      Marianne looked with amazement at Edward, with compassion at her sister. Elinor only laughed.

      —Jane Austen’s Sense and Sensibility, published on October 30, 1811

      Wooded Landscape by Paulus Lieder and Landscape with a Bare Tree and a Ploughman by Leon Bonvin, The J. Paul Getty Museum; Fantastic Oak Tree in the Woods, Carl Wilhelm Kolbe the Elder, The Getty Research Institute

      10/30/14

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