Architecture and Design, Art & Archives, Behind the Scenes, Prints and Drawings

The Oakes Brothers’ Final Week at the Getty

Trevor Oakes completes the final panels of his drawing of the Getty’s Central Garden

Trevor Oakes completes the final panels of his drawing of the Getty’s Central Garden

Ryan and Trevor Oakes are close to completing their three-week drawing project, in which they’ve been rendering the Getty Center and Central Garden exactly as the human eye views it. Their last day here is this Saturday, December 24.

Their public drawing has drawn large crowds—nearly 600 visitors checked out the work this past Sunday!—and the brothers have been there to answer questions and demonstrate their own mastery of pen, paper, and eye. You can see more photos of their work in our Flickr set.

In a recent presentation to Getty staff, the brothers also provided some insight into their inspiration for their unique method of drawing, and explained their belief that we can look to cavemen for clues about how we first began to draw our world.

In ancient cave paintings, some animals are drawn as transparent, double images. They attribute this to the “double vision” that occurs when you focus on an object in the distance while viewing another object up-close. (To try this yourself, place your index finger in front of your face. Now shift your focus to an object in the foreground. You’ll see that your finger becomes transparent and doubles into two images.) Below is an example of how the brothers adjust their eyes to view a double image that allows them to draw in perfect perspective.

The Oakes Brothers demonstrate the "double vision" effect

The "double vision" effect. Photos courtesy of the Oakes Brothers

The Oakes have continued to adjust their approach through trial and error. For example, they originally used a chin rest to steady their vantage point. There was only one problem: the chin rest decreased blood flow to the head, creating a rather disoriented artist! A custom plaster head cap solved the problem, but their technique and tools continue to change.

Below is a detail showing their new process of using concentric circles to evoke “optical noise” in the drawing, and provide it with additional energy. They also cited the circular patterns of the Central Garden’s plantings as inspiration for this method. Check out this video snippet to see how painstakingly they’ve been creating their circles.

Detail of the Oakes Brothers drawing, and the azalea maze in the Getty Center's Central Garden

The circles in the Oakes Brothers' drawing were inspired by the circular plantings in the Central Garden, including the azalea maze. (Photo right: © 2006 J. Paul Getty Trust, photo by Jim Duggan)

The Oakes brothers have provided visitors to the Getty with an educational experience that combines art, mathematics, science, and most of all—fun! Adults and children have been fascinated by their self-designed easel, and the finished product is sure to be a masterful work of art.

The Oakes Brothers draw the Central Garden at the Getty Center

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      thegetty:

      GAME OF THRONES: SEASON 6, EPISODE 2

      Winter is coming. All men must die. And Game of Thrones is back! Stay tuned each week as we unpack Sunday’s episodes through masterpieces.

      Winter is coming indeed! A snowy forecast has just been resurrected thanks to a please-touch-me-and-cut-my-hair lady in red. The epic line “I drink and I know things” provides especially good wisdom for how to tame two dragons

      Several characters went at it this week: a soldier and a friar exchanged heated remarks in the presence of an armed peace mob, a girl with no name and another not-so-kind girl went stick to stick, a crow and a giant went crossbow to stone wall, a first-born son stabbed his father, starving hounds and a new mother went canines to flesh, and two brothers duked it out on a swinging bridge (one fell). Plus, the three-eyed raven (who sits in a tree) taught a forgotten character how to look into the past.


      To make our Game of Thrones posts more international, we’ll feature an image from our Global Middle Ages exhibition and pick “wildcard” images from other collections around the world.

      This week’s pick from the Getty’s Traversing the Globe exhibition comes from @lacma (because we love dragons). The wildcard images were selected from the British Museum (more dragons), the Morgan Library (giants!), and the Museo del Prado (hounds).

      Dive deeper with featurettes connecting the making of medieval manuscripts to the making of fantasy TV. 

      image

      #DesigningGoT - Live Stream May 4 at 7 PM PST

      Michele Clapton, costume designer for the first five seasons of Game of Thrones, joins Deborah Landis, director of the Copley Center for Costume Design at UCLA, and Bryan C. Keene, assistant curator of manuscripts at the Getty, to discuss the series’ medieval aesthetic and the visual sources for her designs.

      Tune in to the live stream here.

      05/04/16

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