Art, Education, Getty Research Institute, Research

5,400 Images from the Getty Research Institute’s Special Collections Now Available as Open Content

Rich materials for the study of art history now free to download, with more to come

Lantern design in Kangxi dengtu / Chinese

Lantern design in Kangxi dengtu (Kangxi-era lantern patterns), Chinese, 1790. Ink and watercolor, 29.7 x 24 cm. The Getty Research Institute, 2003.M.25

Imagine being able to pore over a sketchbook by Jacques-Louis David in minute detail, to investigate Mayan, Aztec, and Zapotec ruins in Mexico, or to study the costumes and social mores at Versailles. All of these things are possible with today’s addition to the Open Content Program, which includes 5,400 artwork images from the collections of the Getty Research Institute—bringing the total number of available images to over 10,000.

These high-resolution images span centuries and continents, and include artists’ sketchbooks, drawings and watercolors, rare prints from the 16th through the 18th century, 19th-century architectural drawings of cultural landmarks, and early photographs of the Middle East and Asia. Over the coming months, we’ll supplement these images with other material critical to the study of art history, including artists’ books and letters, stockbooks of famous art dealers, documentary photographs of art and monuments in situ from around the world, important historical treatises, and archives of famous artists, photographers, and collectors.

Casa del Adivino, Chichen-Itza, Yucatan / Desire Charnay

Casa del Adivino, Chichen-Itza, Yucatan in Views of Aztec, Maya, and Zapotec ruins in Mexico, 1882, Désiré Charnay. Gelatin developing out paper, 32 x 25 cm. The Getty Research Institute, 94.R.31

Making images and documentary materials available freely to all will play a major role in the transformation of art history. When I was new to the field of art history, scholarship was synonymous with the task of gaining access. A colleague of mine who studied a very specialized field used to say that no more than ten people in the world had ever seen the primary documents on the topic.

Realizing that new scholarship is dependent on primary materials, the Getty Research Institute has long strived to connect scholars to their original objects of study and to facilitate academic publishing. Early on, this meant having a highly professional cataloguing and curatorial staff and a state-of-the-art reading room. Today, access is increasingly taking digital form. This has led to a tremendous democratization of scholarship, as more and more people without the means or opportunity for far-flung travel can engage in primary research.

We hope the Open Content Program will accelerate this democratization process, enabling not only scholars but also students, artists, designers, and anyone who is interested to work with rare materials to produce new artworks, designs, and erudition that extend beyond the confines of the academy and the museum.

Quatrieme chambre des apartemens de Versailles / Antoine Trouvain

Quatrieme chambre des apartemens in Appartements de Versailles, 1694–98, Antoine Trouvain, printmaker. Engraving and etching, 45.5 x 60.5 cm. The Getty Research Institute, 2011.PR.20

Sketches of Roman ruins in Album 11 / Jacques-Louis David

Sketches in Album 11, 1775–85, Jacques-Louis David. Pencil, charcoal, ink and wash, 52 x 34.7 cm. The Getty Research Institute, 940049

Art institutions, including the Getty, are redefining the relationship between their collections and their publics. Instead of looking at ourselves primarily as the owners of the objects under our safekeeping, we are conceiving of ourselves as stewards engaged in active collaboration and engagement with multiple communities who are discovering myriad new uses for images and documents. It is a very exciting time for art history.

Find all images in the Open Content Program via Getty Search Gateway.

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  1. gail miller
    Posted October 16, 2013 at 9:57 am | Permalink

    Hurrah for the Getty!

  2. Vladimir Bendixen
    Posted October 18, 2013 at 12:24 pm | Permalink

    Fantastic research, many thanks.

  3. ArtMarketTechnology
    Posted October 19, 2013 at 8:50 am | Permalink

    Just to say we’ve blogged your latest news on What you’re doing in terms of licensing Open Content is very far-sighted, maybe revolutionary. Did you rule out using Creative Commons cc-by rather than having a license of your own? I think CC’s use of icons could be adopted by Getty to communicate quickly what rights and conditions apply to your works. Keep up the fantastic work!

  4. Dot Porter
    Posted November 6, 2013 at 5:36 pm | Permalink

    What are the licenses attached to the metadata describing the digital images? Are they likewise being released under an open license?

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      The Queen Who Wasn’t

      Louis XIV clandestinely wed his mistress, Madame de Maintenon, at Versailles on October 9 or 10, 1683. The marriage was much gossiped about but never openly acknowledged. She was never queen.

      Madame de Maintenon had been the {judgy} governess to Louis XIV’s children by his previous mistress, Madame de Montespan. Louis gave these children moneyed titles—such as the comte de Toulouse, who ordered the tapestries shown here for his residence outside Paris.

      Louis’s secret marriage ushered in a period of religious fervor, in sharp contrast to the light-hearted character of his early reign. Madame de Maintenon was known for her Catholic piety, and founded a school for the education of impoverished noble girls at Saint-Cyr in 1686 that stayed in operation until 1793. This engraving of the Virgin and Child was dedicated to her by the king.

      Virgin and Child, late 1600s, Jean-Louis Roullet after Pierre Mignard; Johann Ulrich Stapf, engraver. The Getty Research Institute. Tapestries from the Emperor of China series. The J. Paul Getty Museum


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