After several months of writing and archival processing, I’ve just finished my work on the archive of Galerie Schmela. The archive’s 172 boxes and 25 flat file folders are listed and described here. The records of Galerie Schmela in Düsseldorf document the business...
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You close your eyes, make a wish, and throw a coin in a fountain. This scene isn’t uncommon here at the Getty. Last year, some $1,649.03 worth of coins were collected from the Azalea Pool in the Central Garden,...
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What did 19th-century visitors to the Holy Land photograph?
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If our globe had a school playground, could you spot Italy? That’s right, the one voted “most popular.” Good-looking, sharp, charismatic. Plus, a rock star in art class. This year, the popular kid turns 150. Surprisingly, the nation that...
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The mythology of artistic greatness tends to privilege the spark of creative genius over hard work, sacrifice, and experimentation. Traditionally, the biographies of famous artists have described naïve talents who achieved notoriety only after being fortuitously discovered. By contrast,...
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The Harald Szeemann Archive and Library, one of the most important private research collections for modern and contemporary art in the world, is coming to the Getty Research Institute—and we couldn’t be more excited. Szeemann was the most influential...
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This weekend, we’re screening a four-part film series, Soy Cuba!, that offers a brutal and beautiful look at Cuba through different perspectives in the 1960s (and one from 1959 with Our Man in Havana), a time of great transition...
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Update—We’ve posted video excerpts from Patrick McGovern’s talk. See below for his discussion of Midas Touch, here for Chateau Jiahu, and here for Theobroma. What ancient brews were served at the funeral feast of King Midas, or his father...
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What is “¡Sí Cuba! SoCal,” you ask? Well, it all started in New York this spring with a multi-venue festival celebrating Cuban culture, called ¡Sí Cuba!. Then, coincidentally, several cultural institutions across Southern California, including we here at the...
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As a kid I was sure if I could be alone with works or art, in or out of museums—ditch the parents, teachers, and guards—that the works of art would talk to me. I assessed hiding places, considered alarm...
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The well-coiffed elite of the time relished a good card game.
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What brings a group of architects, conservators, engineers, geologists, scientists, and archaeologists from twenty countries and six continents to Rome? Rocks—or more accurately, stone. They have all come to participate in the 17th International Course on Stone Conservation, which...
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