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A New Look at Chinese Art

For 25 years the Getty Research Institute has been inviting scholars from around the world to visit, do research, and ask provocative questions. During his recent stay, Zhu Qingsheng (LaoZhu), director of the Center of Visual Studies at Peking...

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The Buddha in Medieval Europe

What does a 12th-century bronze sculpture from Cambodia have in common with a 15th-century manuscript from Germany?  Both, surprisingly, relate to the story of the Buddha. The exhibition Gods of Angkor: Bronzes from the National Museum of Cambodia is...

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Labeling Turner

Writing the gallery label for a painting can sometimes feel like an art form in itself, a kind of circumscribed descriptive poetry not unrelated to haiku. How, in fewer than 100 words, do you capture the essence of an...

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Cambodia’s Enduring Mystery

The exhibition Gods of Angkor: Bronzes from the National Museum of Cambodia now on view at the Getty Center is a rare opportunity to experience first-hand the unique artistry of Khmer sculpture outside of Cambodia. At its height, the...

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Deciphering the Getty Hexameters

Scholars from as far away as England and Holland and as near as Westwood recently gathered at the Getty Villa to decipher and discuss an enigmatic ancient Greek text inscribed on a now-fragmentary lead tablet. These so-called “Getty Hexameters”...

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Six Questions for Peter Greenaway

For our Getty Perspectives lecture series, filmmaker Peter Greenaway came to speak about his new work creating immersive environments inspired by masterpieces of European painting. At the event, and on Facebook and Twitter, we put out the call for...

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