In George Stubbs’s Brood Mares and Foals, which arrived at the Museum in October as a temporary anonymous loan, horses are sympathetically portrayed within the bucolic landscape of the English countryside. The overriding mood is idyllic, as a small...
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On October 25, students from Torres High School in Los Angeles flashed their photographic skills at the Getty Center with guidance by acclaimed photographer Eileen Cowin. The visit was part of Community Photoworks, an annual project offered by the...
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Have you ever come across a piece of ancient art that looked suspiciously…modern? It’s hard to believe that Cycladic figures, with their sleek minimalist outlines, were made more than 4,000 years before sculptors Constantin Brancusi and Henry Moore came...
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Sometimes, only a friend will tell you what they really think. Take the case of artist Ed Kienholz and curator Walter Hopps. Kienholz’s over-life-size assemblage portrait of his friend, Walter Hopps Hopps Hopps—the inspiration for our collage meet-up this...
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The J. Paul Getty Museum and Cabinet des Médailles of the Bibilotheque nationale de France (the department of coins, medals, and antiques of the National Library of France) are collaborating on the research and conservation treatment of the Berthouville Treasure,...
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Where is the line between private and public? Each situation has a different answer—and sometimes many different possible answers. As an example, take this painting by Henri de Toulouse-Lautrec. Lautrec portrays a woman seen from above and behind as...
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As a new school year begins, we’re excited to launch the third season of Art Together, which invites local students and teachers to visit the Getty Center three times over the course of the year. Following last year’s program,...
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Bridging the visions of Le Corbusier and Lucien Hervé.
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One of the most exciting aspects of curatorial work is the privilege of bringing you great works of art that were rarely seen before their acquisition by the museum. Case in point: the Stammheim Missal, one of the greatest...
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We use the word “marginal” to dismiss something as unimportant or trivial. But images in the margins of medieval books are so important they get their own name, marginalia, a Latin term that simply means “things in the margins.”...
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If you visited the Getty Villa during the week of July 25 and thought you overheard people speaking Latin, you weren’t imagining things. That week, we at the Getty Villa were proud to invite a group of 14 high school...
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A long lively stroke of deep brilliant blue, black, and white, a curved swipe of muted yellow, a short dab of red—perhaps you’ve seen artist Roy Lichtenstein’s colorful painted aluminum sculpture Three Brushstrokes on a visit to the Getty...
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