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Writing Verse for “Brush & Shutter”

Greeting you at the entrance to Brush & Shutter: Early Photography in China is a duilian, two lines of Chinese poetry that situate the exhibition. The author of that duilian here describes the process of its creation, which was...

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A New Look at Chinese Art

For 25 years the Getty Research Institute has been inviting scholars from around the world to visit, do research, and ask provocative questions. During his recent stay, Zhu Qingsheng (LaoZhu), director of the Center of Visual Studies at Peking...

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The Buddha in Medieval Europe

What does a 12th-century bronze sculpture from Cambodia have in common with a 15th-century manuscript from Germany?  Both, surprisingly, relate to the story of the Buddha. The exhibition Gods of Angkor: Bronzes from the National Museum of Cambodia is...

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Labeling Turner

Writing the gallery label for a painting can sometimes feel like an art form in itself, a kind of circumscribed descriptive poetry not unrelated to haiku. How, in fewer than 100 words, do you capture the essence of an...

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Apollo’s Drapery: An Unfolding Puzzle

A new exhibition opening at the Getty Villa, Apollo from Pompeii: Investigating an Ancient Bronze, marks the completion of an 18-month conservation project that developed in collaboration with the Museo Archeologico Nazionale in Naples. The exhibition presents the different...

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Cambodia’s Enduring Mystery

The exhibition Gods of Angkor: Bronzes from the National Museum of Cambodia now on view at the Getty Center is a rare opportunity to experience first-hand the unique artistry of Khmer sculpture outside of Cambodia. At its height, the...

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