Recently, we needed a little magic to get a sculpture in working order. Stephan von Huene’s Tap Dancer—which springs to life every half hour in the first room of our Crosscurrents exhibit—hadn’t danced since 2003, when it was on...
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In 1964, while a student in UCLA’s graduate program in painting and sculpture, artist Judy Chicago enrolled in auto-body school—the only woman in a class of 250 men. They were all there to learn how to custom-paint cars with...
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The Getty Museum's most recent addition to the paintings collection.
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In George Stubbs’s Brood Mares and Foals, which arrived at the Museum in October as a temporary anonymous loan, horses are sympathetically portrayed within the bucolic landscape of the English countryside. The overriding mood is idyllic, as a small...
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Researchers interested in studying post-World War II architecture in Southern California will be excited to learn that a new archive is now fully catalogued and available for study: the Ray Kappe papers. The collection, part of the Getty Research...
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The statues at the Getty Villa mirror the display at the Villa dei Papyri.
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Is there any consensus about the definition and field of “Latin American art”? This question was the subject of discussion by a group of international art historians and curators at a recent two-part, two-continent symposium, Between Theory and Practice:...
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Fall 2014 opening of a new entrance with easy access to bus and car parking.
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On October 25, students from Torres High School in Los Angeles flashed their photographic skills at the Getty Center with guidance by acclaimed photographer Eileen Cowin. The visit was part of Community Photoworks, an annual project offered by the...
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Have you ever come across a piece of ancient art that looked suspiciously…modern? It’s hard to believe that Cycladic figures, with their sleek minimalist outlines, were made more than 4,000 years before sculptors Constantin Brancusi and Henry Moore came...
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Sometimes, only a friend will tell you what they really think. Take the case of artist Ed Kienholz and curator Walter Hopps. Kienholz’s over-life-size assemblage portrait of his friend, Walter Hopps Hopps Hopps—the inspiration for our collage meet-up this...
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A beautiful bronze Double Head, attributed to the Italian sculptor Francesco Primaticcio, has just joined the Museum’s collection. Though made by an Italian, it was commissioned by a Frenchman: Francis I, the king of France, for his palace at...
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