war

Posted in Art, Art & Archives, Exhibitions and Installations, Getty Research Institute

Bombing the Cathedral of Reims

German propaganda about the Rheims cathedral bombing
German propaganda card from 1917. The text reads, "The French use the cathedral of Reims as a base of operations and therewith endanger this magnificent work of art" ("Die Franzosen benutzen die Kathedrale von Reims also Operations-Baßis und gefährden damit das herrliche Kunstwerk"). via reims.fr

The battle that launched the culture clash of World War I. More»

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Posted in Art & Archives, Photographs, Film, and Video

Watch Charlie Chaplin’s “Shoulder Arms” Online

Charles Chaplin / Shoulder Arms

An uneasy collision of violence and comedy around World War I. More»

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Posted in Art, Art & Archives, Exhibitions and Installations, Getty Research Institute, Photographs, Film, and Video, Prints and Drawings

“I Declare War on All Europe”

Zislin

A closer look at two propaganda posters from World War I More»

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Posted in Art & Archives, Getty Research Institute, Photographs, Film, and Video

Two Unforgettable Films about World War I

Still from J'Accuse featuring undead soldiers questioning their sacrifice
Still from J'Accuse

Two classics screen for the war’s centenary. More»

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Posted in Art, Art & Archives, Getty Research Institute, Prints and Drawings, technology

A Wartime Apocalypse, in Miniature

Saint John's Vision of the Seven Candlesticks, 1917, Ernst Ludwig Kirchner. Getty Research Institute.
Saint John's Vision of the Seven Candlesticks, 1917, Ernst Ludwig Kirchner. Getty Research Institute.

Tiny, feverish watercolors by Ernst Ludwig Kirchner express the anxious hopes of an entire generation of European artists. More»

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Posted in Behind the Scenes, Getty Research Institute, Scholarship

The Art of Search and Rescue

Dr. Frederick Pleasants at the Central Collecting Point / Johannes Felbermeyer
Dr. Frederick Pleasants with the 40,000th picture recovered at the Central Collecting Point in Munich, where Nazi-looted artwork was assembled and redistributed after the war. Photo by Johannes Felbermeyer. The Getty Research Institute, 89.P.4

Rare documents and photographs in the Research Institute’s collections tell the real-life story of key Monuments Men (and Women). More»

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Posted in Art, Art & Archives, J. Paul Getty Museum, Scholarship

The Monuments Men and the Race to Save Masterpieces, A Q&A with Robert Edsel

Robert Edsel
Robert Edsel

“What makes a man risk his life to save someone else’s life, much less a work of art?” More»

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Posted in Art, Art & Archives, J. Paul Getty Museum, Photographs, Film, and Video

The Civil War in Pictures

Portrait of a Confederate Soldier/ unknown photographer
Portrait of a Confederate Soldier, about 1862, unknown photographer. Hand-colored ambrotype, 2 9/16 x 2 1/16 in. The J. Paul Getty Museum, 84.XT.818.16

The Civil War captured in early photographs, from young New Yorkers headed to the battlefield to Robert E. Lee one week after the surrender. More»

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Posted in Ancient World, Antiquities, Art, Art & Archives, J. Paul Getty Museum, Sculpture and Decorative Arts

“Not Like a Coward”: Remembering a Warrior’s Death

Gravestone of Pollis / Greek
Gravestone of Pollis, Greek, made in Megara, about 480 B.C. Marble, 60 1/4 in. high. The J. Paul Getty Museum, 90.AA.129

The intimate association between being remembered and risking one’s life on the battlefield lies at the heart of Homer’s Iliad. The preeminent warrior Achilles famously chose to die young in battle and be forever honored, and this heroic code is well… More»

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Posted in Art, Art & Archives, Getty Research Institute, Scholarship

Nazis Collecting Art: Art Dealer Gustav Cramer’s Wartime Records

Postcard showing the interior of Galerie G. Cramer in The Hague, circa 1967

A rare resource for the study of the art market in Europe during World War II is now available for research at the Getty Research Institute: the correspondence of Gustav Cramer and his son Hans Max Cramer, owners of the G. Cramer… More»

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