Monthly Archives: March 2011

Posted in Getty Center

Selected Shorts Celebrates the Written (and Spoken) Word

tim_curry

Rumors of the short story’s death have been greatly exaggerated. Only an appearance by Mark Twain himself could have capped an evening of well-crafted, funny narratives this past weekend at Selected Shorts, an annual series that pairs actors with classic… More»

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Posted in Art, J. Paul Getty Museum, Paintings

Van Gogh’s Irises / Haiku Verses from Readers / An Invitation

Birthday cake for Vincent van Gogh's birthday decorated with The Irises in icing

To celebrate Vincent van Gogh, who was born on this day in 1853, we’ve been inviting visitors to share their thoughts in haiku form. Please join us! Leave a comment here, tweet your poem with the hastag #arthaiku, or leave… More»

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Posted in Behind the Scenes, J. Paul Getty Museum, Paintings

Audio: Gallery Talk on Turner’s “Modern Rome”

Modern Rome–Campo Vaccino, Joseph Mallord William Turner (English, 1775–1851), 1839. Oil on canvas, 36 1/8 x 48 1/4 in. (unframed), 48 1/4 x 60 3/8 x 4 3/8 in. (framed). The J. Paul Getty Museum, 2011.6
Modern Rome–Campo Vaccino, Joseph Mallord William Turner (English, 1775–1851), 1839. Oil on canvas, 36 1/8 x 48 1/4 in. (unframed), 48 1/4 x 60 3/8 x 4 3/8 in. (framed). The J. Paul Getty Museum, 2011.6

Emily Beeny of the Museum’s paintings department recently gave a gallery talk for eager Getty staff to acquaint us with the Museum’s new painting by J.M.W. Turner, whose arrival and installation we posted about on Friday. We invite you to… More»

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Posted in Art, Behind the Scenes, Conservation, Exhibitions and Installations, Paintings

Behind the Scenes with J.M.W. Turner’s “Modern Rome”

framing_a_masterpiece

How long does it take to install a painting in the Museum, from loading dock to gallery wall? For J.M.W. Turner’s Modern Rome—Campo Vaccino, the answer is seven days: really busy days, with lots of people working together to make… More»

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Posted in Getty Research Institute, Paintings, Research

A New Look at Chinese Art

Grapes, Xu Wei, Ming Dynasty. Hanging scroll, ink on paper, 165.4 x 64.5 cm. Image courtesy of LaoZhu

For 25 years the Getty Research Institute has been inviting scholars from around the world to visit, do research, and ask provocative questions. During his recent stay, Zhu Qingsheng (LaoZhu), director of the Center of Visual Studies at Peking University,… More»

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Posted in Gardens and Architecture, Getty Center

The Moment of Alliums

Coming this summer: Look for sculptural alliums holding their own against the dramatic architecture of the Getty Center
Coming this summer: Look for sculptural alliums holding their own against the dramatic architecture of the Getty Center

It is the week of return—of the vernal equinox, and of the shooting stars—the blue blue-violet alliums in Robert Irwin’s Central Garden at the Getty Center. We’ve been waiting. In late-ish February, green shoots began rocketing from the rich dark… More»

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Posted in Art, Exhibitions and Installations, J. Paul Getty Museum, Manuscripts and Books, Sculpture and Decorative Arts

The Buddha in Medieval Europe?

Left: Crowned Buddha, Cambodian, Angkor period, 1100s, bronze. National Museum of Cambodia, Phnom Penh. Right: King Avenir and Josaphat in Conversation (detail) in Barlaam and Josaphat, Follower of Hans Schilling, 1469. The J. Paul Getty Museum, MS. LUDWIG XV 9, fol. 320v

What does a 12th-century bronze sculpture from Cambodia have in common with a 15th-century manuscript from Germany?  Both, surprisingly, relate to the story of the Buddha. The exhibition Gods of Angkor: Bronzes from the National Museum of Cambodia is displayed… More»

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Posted in Education, J. Paul Getty Museum, Paintings

Question of the Week: What Makes a Painting a Masterpiece?

Disegno and Colore, Guercino (Giovanni Francesco Barbieri), about 1640. Gemäldegalerie Alte Meister, Staatliche Kunstsammlungen Dresden. Photo © Staatliche Kunstsammlungen Dresden

What makes a painting a masterwork? Take part in this historic debate about the elements of line and color, as personified by a wise, old man and a sensuous young woman in Guercino’s Disegno and Colore. Italian draftsman and painter… More»

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Posted in Education, Exhibitions and Installations, J. Paul Getty Museum, Photographs, Film, and Video

Making Over Early Photographs with Color

Luther Gerlach hand-colors a sepia photograph at an Artist-at-Work Demonstration

“First, ever so lightly, I take a little flesh-colored pigment and add a bit of color to his face,” said Luther Gerlach as he glided his brush over an old photograph of a boy clutching a hat. “Then let’s add… More»

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Posted in Getty Foundation, Getty Research Institute

Symposium on Latin American Art: Live Online This Weekend

Mapa quemado/Burned Map, Horacio Zabala (Argentinian, b. 1943), 1974, mixed media on printed map. Courtesy of the artist and Henrique Faria Fine Art, New York

Update—videos of this event have been archived here. The three-day symposium Between Theory and Practice: Rethinking Latin American Art in the 21st Century is streaming live this weekend, from Friday March 11 through Sunday March 13. We invite you to… More»

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