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Posted in Architecture and Design, Behind the Scenes, Prints and Drawings

The Oakes Brothers’ Final Week at the Getty

Trevor Oakes completes the final panels of his drawing of the Getty’s Central Garden

Ryan and Trevor Oakes are close to completing their three-week drawing project, in which they’ve been rendering the Getty Center and Central Garden exactly as the human eye views it. Their last day here is this Saturday, December 24. Their… More»

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Posted in Architecture and Design, Behind the Scenes, Gardens and Architecture, Getty Center, Prints and Drawings

Double Draw: The Oakes Brothers at the Getty

The Oakes Brothers sketch in the Central Garden at the Getty Center

Twin brothers and artists Ryan and Trevor Oakes have similar interests, which isn’t really unusual for twins. However, the brothers have taken their mutual fascination with vision, light, space, and depth to a whole new level, and have built their… More»

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Posted in Art, Education, Getty Center, Prints and Drawings

Watch a Drawing of the Getty Take Shape, Line by Line

The Oakes Brothers in the Central Garden at the Getty Center, 2011

See artist-brothers Ryan and Trevor Oakes live-sketch the Central Garden. More»

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Posted in Exhibitions and Installations, J. Paul Getty Museum, Manuscripts and Books, Paintings

A Call to Arms! Heraldry in Renaissance Florence (And a Mystery You Can Help Solve)

virgin_child
The Virgin and Child Surrounded by Saints, between 1350 and 1365, Follower of Bernardo Daddi (possibly Pietro Nelli). Tempera and gold leaf on panel, 37 ½ x 26 in. (95.3 x 66 cm). Portland Art Museum, 61.51

Heraldry is a fascinating and complex system by which coats of arms are devised and decoded.  My familial arms—yes, my family has a coat of arms, and yours may have too—are composed of an intricate grouping of objects, including a… More»

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      ROSE

      This milky pink boomed into popularity because of a marketing ploy, a mistress, and its ambiguous origins.

      In an effort to compete with the renowned Meissen porcelain factory, the French Sèvres manufactory recruited the glamorous Madame de Pompadour (mistress to King Louis XV). Like a smart sponsorship deal, Sèvres gave her all the porcelain she requested. 

      Introduced in 1757, this rich pink exploded on the scene thanks to favoritism by Madame Pompadour herself. 

      The glaze itself had a weird history. To the Europeans it looked Chinese, and to the Chinese it was European. It was made based on a secret 17th-century glassmaker’s technique, involving mixing glass with flecks of gold.

      For more on colors and their often surprising histories, check out The Brilliant History of Color in Art.

      12/19/14

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