Connecting Seas

Posted in Architecture and Design, Behind the Scenes, Getty Research Institute, Research

Connecting Seas: The Getty Research Institute in Manila

Exterior of San Sebastian Church. Completed in 1891, this neo-Gothic all-steel church, the only one of its kind in Asia, is made of pre-fabricated steel elements fabricated in Belgium. Photo: Jaime S. Martinez
Exterior of San Sebastian Church. Completed in 1891, this neo-Gothic all-steel church, the only one of its kind in Asia, is made of pre-fabricated steel elements fabricated in Belgium. Photo: Jaime S. Martinez

“For all of us, the trip was revelatory on many levels.” More»

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Posted in Behind the Scenes, Education, Getty Research Institute

Art History Is for Kids!

Arrr, Holden!
Arrr, Holden!

Young (but savvy) pirate explorers conquer the Connecting Seas exhibition, offering some telling observations. More»

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Posted in Exhibitions and Installations, Getty Research Institute, Photographs, Film, and Video

Photographs of Africa from the Late 1800s

Women from Zanzibar, plate 40 / Edouard Foa
Women from Zanzibar, 1893, Edouard Foà. Albumen print in Views of Africa: Zanzibar et Côte-Quiloa-Dar es Salam-Tanga-Somalis, plate 40. Mount: 9 x 11 1/4 in. The Getty Research Institute, 93.R.114.1.2

Six albums by French explorer Edouard Foà reveal African society at the turn of the 20th century. More»

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Posted in Art, Exhibitions and Installations, Getty Research Institute

Colorful Board Game Turns the French Colonies into Child’s Play

Trading Game: France - Colonies / O.P.I.M.
Trading Game: France—Colonies, 1941, O.P.I.M. (Office de publicite et d'impression), Breveté S.G.D.G. Lithograph on linen, 22 7/8 x 32 1/4 in. The Getty Research Institute, 970031.6

Through game play, French children master the craft of colonialism. More»

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Posted in Exhibitions and Installations, Getty Research Institute, Voices

Getty Voices: Aztec Idols, Explorers, and Egyptomania

Bust of an Aztec Priestess / Jean Massard the Elder
Bust of an Aztec Priestess, Jean Massard the Elder. Lithograph in Alexander von Humboldt, Vues des Cordillères, et monumens des peuples indigènes de l'Amérique (Paris, 1813), plate 1. The Getty Research Institute, 85-B1535

How did one of the 19th century’s greatest scholars misidentify an Aztec sculpture as Egyptian? Simple: Egyptomania. More»

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Posted in Art, Exhibitions and Installations, Getty Research Institute, Voices

Encounters with Indigenous Mexico | Getty Voices

The Zocalo, Mexico City / Cartas de relacion
The Zócalo, Mexico City's main square, depicted soon after the Spanish Conquest. Detail from Tenochtitlan, woodcut in Hernán Cortés, Cartas de relación (Nuremberg, 1524). The Getty Research Institute, 93-B9631

“There is so much to think over that I do not know how to describe it, seeing things as we did that had never been heard of or seen before, not even dreamed about.” More»

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      I do not like crooked, twisted, blasted trees. I admire them much more if they are tall, straight, and flourishing. I do not like ruined, tattered cottages. I am not fond of nettles or thistles, or heath blossoms. I have more pleasure in a snug farm-house than a watch-tower—and a troop of tidy, happy villages please me better than the finest banditti in the world.”

      Marianne looked with amazement at Edward, with compassion at her sister. Elinor only laughed.

      —Jane Austen’s Sense and Sensibility, published on October 30, 1811

      Wooded Landscape by Paulus Lieder and Landscape with a Bare Tree and a Ploughman by Leon Bonvin, The J. Paul Getty Museum; Fantastic Oak Tree in the Woods, Carl Wilhelm Kolbe the Elder, The Getty Research Institute

      10/30/14

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