digital art history

Posted in Art, Behind the Scenes, Getty Research Institute, Research

Unlocking Archives through Digital Tech

Decourcy McIntosh, Thomas Gaehtgens, and Gail Feigenbaum
In the Special Collections Reading Room, workshop participants look inside an art dealer's photograph album. Foreground, left to right: independent scholar Decourcy McIntosh, Research Institute director Thomas Gaehtgens, and associate director Gail Feigenbaum.

The vast archives of the Getty Research Institute contain many stories yet untold. More»

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Posted in Art, Getty Research Institute, Photographs, Film, and Video, Research, Sculpture and Decorative Arts

77,000 Images of Tapestries and Italian Monuments Join the Open Content Program

Italian sculpture / Max Hutzel
Max Hutzel photographed Italy for 30 years, documenting architecture, paintings, frescoes, sculpture, manuscripts, metalwork and other "arte minore" (minor arts). The Getty Research Institute, 86.P.8

Photographs of Italian monuments and European tapestries join the Open Content Program. More»

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Posted in Art, Getty Research Institute, Research

Beyond Digitization—New Possibilities in Digital Art History

Madonna, Saint Thomas Aquinas, and Saint Paul / Bernardo Daddi
Digital Daddis. In the Getty Center galleries with Madonna, Saint Thomas Aquinas, and Saint Paul, about 1330, Bernardo Daddi. Tempera and gold leaf on panel, 47 1/2 x 22 in. The J. Paul Getty Museum, 93.PB.16

Museums and libraries have digitized millions of works of art. Now what? More»

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Posted in Art, Education, Getty Research Institute, Research

5,400 Images from the Getty Research Institute’s Special Collections Now Available as Open Content

Lantern design in Kangxi dengtu / Chinese
Lantern design in Kangxi dengtu (Kangxi-era lantern patterns), Chinese, 1790. Ink and watercolor, 29.7 x 24 cm. The Getty Research Institute, 2003.M.25

Thousands more images, from Renaissance prints to early photographs, join the Open Content Program. More»

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Posted in Getty Foundation, J. Paul Getty Museum

Digital Success, Interactive Reading, and Other Open Questions about OSCI and Digital Publishing

catalogues2

How do we measure success in digital publishing? What’s better, an app or responsive design? What do we mean by “reading” now? More»

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Posted in Art, Getty Foundation, Publications, Voices

Getty Voices: OSCI and The Future of Digital Publishing

AnneHelmreich_digipubs

Digital isn’t just revolutionizing publishing. It’s revolutionizing the museum. More»

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Posted in Behind the Scenes, Publications, Research

Which Way, Digital_Humanities?

Provocation from Digital_Humanities
A provocation.

“Ours is an era in which the humanities have the potential to play a vastly expanded creative role in public life.” Will they? More»

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Posted in Behind the Scenes, Manuscripts and Books, Research, Voices

Creating “Getty Scholars’ Workspace”: Lessons from the Digital Humanities Trenches

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Getty Scholars’ Workspace, an online collaborative working environment, is taking shape at the Getty Research Institute. Lessons from the pilot project. More»

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      Mission style or “Spanish Colonial” architecture is a California signature. San Luis Rey de Francia was founded in 1798, yet shares many of the features of Los Angeles’ Union Station. Compare with The Huntington’s capture of the station to see just how similar in line and form these buildings really are. 

      We’re teaming up The Huntington’s tumblr to bring you historic Los Angeles images on Wednesdays through August 6 as part of No Further West.

      Mission, San Luis Rey de Francia, 1880, Carleton Watkins. J. Paul Getty Museum.

      07/30/14

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