fashion

Posted in Art, Exhibitions and Installations

The Height of Fashion

Portrait of Louis XIV / after Hyacinthe Rigaud

Louis XIV and the craze for high heels. More»

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Posted in Behind the Scenes, Getty Center

Fashion Off the 405

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What are our visitors wearing to stay cool this summer? More»

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Posted in Art, Exhibitions and Installations, J. Paul Getty Museum, Photographs, Film, and Video

How Herb Ritts Created an Icon

Versace Dress, Back View, El Mirage / Herb Ritts

When Herb Ritts created this image, it was touch-and-go whether he would get his crew and model off the El Mirage lake bed before a storm swept through. Mark McKenna, now executive director of the Herb Ritts Foundation, was Ritts’s… More»

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Posted in Architecture and Design, Education, J. Paul Getty Museum, Sculpture and Decorative Arts

Exploring 18th-Century Fashion, Garment by Garment

garment_by_garment

Did you know that artists used pig bladders to carry paint before tubes were invented, that the gold leaf used to gild paintings and manuscripts was made by pounding a coin into thin sheets, or that 18th-century fashion designers used… More»

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Posted in Art, Exhibitions and Installations, J. Paul Getty Museum, Manuscripts and Books

Tights, A Medieval Fashion Faux Pas, Return!

The Competition in Sittacene and the Placating of Sisigambis / Attributed to the Master of the Jardin de vertueuse consolation

For over a year now, a fashion trend from medieval Europe—once reserved for men of elite social standing—has been resurrected and adopted by women, causing some fashionistas to cringe. Tights are back. In mid-15th-century England, a law restricted the wearing… More»

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Posted in Art, J. Paul Getty Museum, Photographs, Film, and Video

The Photograph That Kicked Herb Ritts’s Career into High Gere

Richard Gere, Herb Ritts

Today the Getty Museum announced the acquisition of 69 photographs by famed fashion and celebrity photographer Herb Ritts. The acquisition includes photographs of nudes, celebrity portraits, and images made for high-fashion ad campaigns. A portrait of Richard Gere as a budding… More»

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Posted in Art, Exhibitions and Installations, J. Paul Getty Museum, Manuscripts and Books

Fashion According to the Pope: Short Tunics for Him and Fabulous Jewelry for Her

The Emperor Sigismund Arriving in Siena / French, about 1460-70

The current exhibition Fashion in the Middles Ages, closing Sunday, August 14, examines costumes in the pages of medieval manuscripts. At times, the clothing seen in manuscript illuminations reflected the actual styles and fabrics of the Middle Ages—but at others,… More»

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Posted in Exhibitions and Installations, J. Paul Getty Museum, Manuscripts and Books

The Medieval Clotheshorse: Roger Wieck on the Fashion Revolution of the Middle Ages

Philosophy Presenting the Seven Liberal Arts to Boethius (detail), miniature in a French manuscript of The Consolation of Philosophy attributed to the Coëtivy Master, about 1460–70
Philosophy Presenting the Seven Liberal Arts to Boethius (detail), miniature in a French manuscript of The Consolation of Philosophy attributed to the Coëtivy Master, about 1460–70

A “fashion revolution” in the Middle Ages? Yes, says art historian Roger Wieck, curator of Illuminating Fashion: Dress in the Art of Medieval France and the Netherlands at the Morgan Library. Just as art was changing with the dawn of… More»

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Posted in Exhibitions and Installations, Getty Center

Four for Fashion: Free Events, Expensive Outfits

John Malkovich and Glenn Close look fabulous, act malicious in Dangerous Liaisons. Photo: Photofest

It’s the summer of decadent outfits here at the Getty. Just opened is Fashion in the Middle Ages, which gives you a peek at clothing, real and fantastic, in the pages of manuscripts; continuing is the all-things-Rococo blockbuster Paris: Life… More»

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      It’s been 125 years since Van Gogh’s death, today we celebrate his life’s work.


      5 Ways to See Van Gogh’s Irises

      Through observations, visitor conversations, and some sneaky eavesdropping, we’ve compiled the top 5 ways people enjoy this painting.

      1. In a Crowd
        One of the most obvious ways that people see the painting is in a crowd. The gallery is almost always filled, and you might have to wait before you can get up close. The anticipation builds as you start in the back row, and slowly move until you are close enough to see the brushstrokes of Van Gogh’s thick paint.

      2. Online
        David from Colorado said that this was his first visit, but he had already seen the painting online. In addition to being available through the Getty’s Open Content program, the painting is often seen on social media. Just search #irises on Instagram for a taste of the painting’s popularity. 

      3. Alone
        If you arrive right at 10 a.m. when the museum opens, the quiet gallery provides a perfect backdrop to really examine the painting. Solitude and seclusion gives the gallery a sense of intimacy. 

      4. Multiple Times
        Repeat visits can give rise to multiple interpretations. Is it a melancholy or joyous painting? Expressive or depressive? 

      5. Internationally
        Visitors from all across the world viewed this famous Van Gogh. In just one hour you can hear multiple languages—French, Italian, Chinese, Korean, German, and more. Irises seems to rise above cultural boundaries—a Dutch painting inspired by Japanese ukiyo-e prints—to strike an emotional resonance amongst all viewers. 

      What is your favorite lens to view Van Gogh’s work through? 

      07/29/15

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